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A Man in Full, by Tom Wolfe
PDF Download A Man in Full, by Tom Wolfe
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The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.
Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.
And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.
Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.
- Sales Rank: #55339 in Books
- Published on: 2001-10-31
- Released on: 2001-10-30
- Original language: English
- Number of items: 1
- Dimensions: 8.24" h x 1.20" w x 5.16" l, 1.20 pounds
- Binding: Paperback
- 704 pages
Amazon.com Review
Ever since he published his classic 1972 essay "Why They Aren't Writing the Great American Novel Anymore," Tom Wolfe has made his fictional preferences loud and clear. For New Journalism's poster boy, minimalism is a wash, not to mention a failure of nerve. The real mission of the American writer is to produce fat novels of social observation--the sort of thing Balzac would be dishing up if he had made it into the Viagra era. Wolfe's manifesto would have had a hubristic ring if he hadn't actually delivered the goods in 1987 with The Bonfire of the Vanities. Now, more than a decade later, he's back with a second novel. Has the Man in White lived up to his own mission?
On many counts, the answer would have to be yes. Like its predecessor, A Man in Full is a big-canvas work, in which a multitude of characters seems to be ascending or (rapidly) descending the greasy pole of social life: "In an era like this one," a character reminds us, "the twentieth century's fin de siècle, position was everything, and it was the hardest thing to get." Wolfe has changed terrain on us, to be sure. Instead of New York, the focus here is Atlanta, Georgia, where the struggle for turf and power is at least slightly patinated with Deep South gentility. The plot revolves around Charlie Croker, an egomaniacal good ol' boy with a crumbling real-estate empire on his hands. But Wolfe is no less attentive to a pair of supporting players: a downwardly mobile family man, Conrad Hensley, and Roger White II, an African American attorney at a white-shoe firm. What ultimately causes these subplots to converge--and threatens to ignite a racial firestorm in Atlanta--is the alleged rape of a society deb by Georgia Tech football star Fareek "The Cannon" Fanon.
Of course, a detailed plot summary would be about as long as your average minimalist novel. Suffice it to say that A Man in Full is packed with the sort of splendid set pieces we've come to expect from Wolfe. A quail hunt on Charlie's 29,000-acre plantation, a stuffed-shirt evening at the symphony, a politically loaded press conference--the author assembles these scenes with contagious delight. The book is also very, very funny. The law firms, like upper-crust powerhouse Fogg Nackers Rendering & Lean, are straight out of Dickens, and Wolfe brings even his minor characters, like professional hick Opey McCorkle, to vivid life: In true Opey McCorkle fashion he had turned up for dinner wearing a plaid shirt, a plaid necktie, red felt suspenders, and a big old leather belt that went around his potbelly like something could hitch up a mule with, but for now he had cut off his usual torrent of orotund rhetoric mixed with Baker Countyisms. Readers in search of a kinder, gentler Wolfe may well be disappointed. Retaining the satirist's (necessary) superiority to his subject, he tends to lose his edge precisely when he's trying to move us. Still, when it comes to maximalist portraiture of the American scene--and to sheer, sentence-by-sentence amusement--1998 looks to be the year of the Wolfe, indeed. --James Marcus
From Publishers Weekly
However the National Book Award judges managed to get hold of Wolfe's much-delayed second novel in time to give it their nod as an NBA finalist, they were quite right to do so. It's a dazzling performance, offering a panoramic vision of America at the end of the 20th century that ranges with deceptive ease over our economic, political and racial hang-ups and at the same time maintains a brisk narrative pace that makes the huge book seem only a quarter of its real length. Balzac had the same gift. The "man in full" of the title (the phrase comes from an old song) is Charlie Croker, a good-ole-boy real-estate developer in Atlanta whose sprawling South Georgia plantation, massive mansion in the best part of town, half-empty skyscraper tower named after himself, horde of servants, fleet of jets and free-spending trophy second wife have left him terribly vulnerable to bankers deciding the party's over. As a former football star, however, the suggestion is put to him that there is something he can do to ease his situation. A black Georgia Tech player clearly headed for greatness may have raped the daughter of one of Charlie's old business buddies. If Charlie can help the city's ambitious black mayor maintain calm, the bank just might be persuaded to ease up on him. Three thousand miles away in California, Conrad Hensley, an idealistic young worker at a warehouse run by one of Charlie's subsidiary companies, fired in an offhand downsizing designed to placate the bank, runs afoul of the law in a farcical parking hassle and is thrown in jail. There, in fear of his life, Conrad absorbs Stoic philosophy from a book his wife has sent him, and, aided by a timely earthquake (sent by Zeus?), begins to turn his life around until the day, in exile in Atlanta, he encounters Charlie. These parallel plot lines, examining with microscopic precision the obsessions, preoccupations, habits and lingo of life at the top and bottom of American society, are both compelling in themselves and resonant with a sense of the vast mystery and comedy of contemporary life in this amazing country. Wolfe is as adept at scenes painted with high satirical glee (Charlie on a quail hunt, or introducing shrinking business guests to an all-out stud performance by a prize racehorse) as he is with horror and pity (his picture of life for Conrad in his California jail is almost unbearably intense). Despite the very occasional longeurs (readers learns more Atlanta geography than they may care to) and writerly tics (Wolfe still can't resist onomatopoetic outbursts), the novel is a major advance on The Bonfire of the Vanities in its range, power and compassion, while retaining all of that book's breathless contemporaneity and readability. 1.2 million firt printing; simultanneous audio from BDD.(Nov 6).
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Imagine Bonfire of the Vanities set in Atlanta: a star running back from the slums is accused of raping the daughter of a blueblood family even as Asian immigrants sneak into town and protagonist Charlie Croker, a football star turned businessman, tries to get out of debt.
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Epictetus and Seein’em jump.
By avande7217
It’s been sometime between my last Tom Wolfe experience (hint-generally an “on the bus” person). This book makes me wonder if I’ve been “off the bus” far too long.
Great summer read with memorable characters, adequate mysticism, interpersonal (and personal) conflicts set within the social and political flavor of the “modern” South, in a tale that only Tom Wolfe can fashion to make interesting for 700+ pages.
2 of 2 people found the following review helpful.
I don't read 750 page novels, but couldn't put this one down
By JV
There is no doubt that Tom Wolfe is one of the greatest writers on the American scene. This book contains fabulous characters and satire that bites so hard it leaves scars. Many parts of the book are uproariously funny. This novel is a superb vehicle for Wolfe to display his geniuse as a social commentator. A true iconoclast with x-ray vision, style and wit. It was laughable to read those critics who sneered that this book is not "great literature" and that "it won't be studied in literature classes". As one who has suffered through trash like "Slaughterhouse Five" in English courses, I would welcome a serious study Tom Wolfe's magnificent style and form. I think Wolfe has a great deal to teach any student of letters and even of rhetoric. I give the book four out of five stars for two reasons. First, I found the avalanche of bad language in the book very offensive. I don't speak that way, nor does my family, nor do my friends. Granted, it is the duty of the artist to hold a mirror up to the world to capture its reflection. And Wolfe's mirror is squeaky clean wihen it comes to showing us regretable traits of the age, especially the widespread use of swearing and obscenities. Howver, I still don't like reading it and wonder if the bad language was really necessary. Second, the ending is disappointing. There is something unconvincing and unsatisfactory about Croker's final "conversion.". That being said, I confess that if this roller-coaster of a novel would have gone on at the same clip for another 750 pages, I would have joyfully ridden it right to the end.
0 of 1 people found the following review helpful.
Great Until The End
By A Customer
Like just about everyone else who reviewed this book, I found the ending to be one gigantic letdown. It really does feel like Wolfe got bored and just decided to slap a finale on so he could catch a 10:00 movie or something. It's exactly how I (and many others) felt at the end of "Bonfire," too. You'd think his editors would have pushed him on that. The first 650-odd pages are wonderful though, I stayed up way too late reading them. The details and descriptions are amusing and fascinating, and his little sobriquets (e.g. "Boys With Breasts" for the fashionable 90s female body type) are hilarious. A few other quibbles: (1) Wolfe may be fascinated with architectural details, but his characters all seem to know far more about it than they should. (2) Serena, the trophy wife, is never developed as a character-- we never find out anything about her background and what let her to be the type of woman who'd willingly sleep with (and marry) a man old enough to be her grandfather. And she's a major enough character to make this an oversight rather than an omission. (3) Wolfe hates the middle class-- the DA character in "Bonfire" and Peepgass in this novel get his greatest scorn, and in both cases it seems a bit undeserved. (Although Peepgass is seemingly redeemed at the very end.) Overall, well worth reading, but be prepared for a big letdown at the end.
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