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From the acclaimed author of Birdmen comes a revelatory new history of the birth of the automobile, an illuminating and entertaining true tale of invention, competition, and the visionaries, hustlers, and swindlers who came together to transform the world.
In 1900, the Automobile Club of America sponsored the nation’s first car show in New York’s Madison Square Garden. The event was a spectacular success, attracting seventy exhibitors and nearly fifty thousand visitors. Among the spectators was an obscure would-be automaker named Henry Ford, who walked the floor speaking with designers and engineers, trying to gauge public enthusiasm for what was then a revolutionary invention. His conclusion: the automobile was going to be a fixture in American society, both in the city and on the farm—and would make some people very rich. None, he decided, more than he.
Drive! is the most complete account to date of the wild early days of the auto age. Lawrence Goldstone tells the fascinating story of how the internal combustion engine, a “theory looking for an application,” evolved into an innovation that would change history. Debunking many long-held myths along the way, Drive! shows that the creation of the automobile was not the work of one man, but very much a global effort. Long before anyone had heard of Henry Ford, men with names like Benz, Peugeot, Renault, and Daimler were building and marketing the world’s first cars.
Goldstone breathes life into an extraordinary cast of characters: the inventors and engineers who crafted engines small enough to use on a “horseless carriage”; the financiers who risked everything for their visions; the first racers—daredevils who pushed rickety, untested vehicles to their limits; and such visionary lawyers as George Selden, who fought for and won the first patent for the gasoline-powered automobile. Lurking around every corner is Henry Ford, a brilliant innovator and an even better marketer, a tireless promoter of his products—and of himself.
With a narrative as propulsive as its subject, Drive! plunges us headlong into a time unlike any in history, when near-manic innovation, competition, and consumerist zeal coalesced to change the way the world moved.
Praise for Drive!
“[A] marvelously told story . . . The author provides a terrific backdrop to the ‘Chitty Chitty Bang Bang’ era in which his story takes place. On display are lucky scoundrels and unlucky geniuses, hustlers, hacks, and daredevils galore. . . . Goldstone has written a book that beautifully captures the intertwined fates of these two ingenious pioneers.”—The Wall Street Journal
“A wonderful, story-filled saga of the early days of the auto age . . . Readers will be swept up in his vivid re-creation of a bygone era. . . . ‘Horse Is Doomed,’ read one headline in 1895. This highly readable popular history tells why.”—Kirkus Reviews (starred reviews)
“A splendid dissection of the Selden/Ford patent face-off and its place in automotive historiography, this work will be enjoyed by business, legal, transportation, social, and intellectual historians; general readers; and all libraries.”—Library Journal (starred review)
“This book contains the great names in automotive history—the Dodge brothers, Barney Oldfield, all the French (they seemed, until Ford, to lead the Americans in development of the vehicle)—and it is fascinating. . . . An engaging new take on the history of technological innovation.”—Booklist
- Sales Rank: #89996 in Books
- Published on: 2016-05-17
- Released on: 2016-05-17
- Original language: English
- Number of items: 1
- Dimensions: 9.52" h x 1.23" w x 6.40" l, 1.25 pounds
- Binding: Hardcover
- 384 pages
Review
The creation of the American automobile. Goldstone (Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies, 2014, etc.) offers a wonderful, story-filled saga of the early days of the auto age. Against the background of late-17th-century attempts to use controlled explosions as a power source and the eventual rise of German and French carmakers, the author traces the development of American car manufacturing through the lives and work of a colorful cast of entrepreneurs and innovators, most notably Henry Ford (1863-1947), a farmer's son whose Model T would make him America's richest man, and George Selden (1846-1922), a judge's son whose patent for an automobile he never built spawned an industry. Ford dominates the narrative: at once charismatic and enigmatic, he was a marketing genius--the Steve Jobs of his time--who, contrary to legend, did not invent the automobile or mass production but made his fortune by selling the inventions of others. He converted "ideas to cash," which, writes Goldstone, is the definition of innovation. In the process, Ford betrayed associates, borrowed ideas, and notoriously took credit for the work of others. He would clash in courtroom encounters with the visionary Selden, the first American to apply the nascent technology of internal combustion to powering a "road carriage." Lacking funds to build such a vehicle, Selden patented his idea and subsequently collected licensing fees from makers of motorcars. While aspects of Goldstone's book will be familiar to auto buffs, the story is so compelling and well-crafted that most readers will be swept up in his vivid re-creation of a bygone era. The book abounds with detailed accounts of races, auto shows, and heroic cross-country journeys and explains in plain English the advances in automotive engineering that transformed early vehicles from playthings of the wealthy to functional, low-cost cars for the masses. "Horse Is Doomed," read one headline in 1895. This highly readable popular history tells why. --Kirkus (Starred Review)
"In his marvelously told story...on display are lucky scoundrels and unlucky geniuses, hustlers, hacks, and daredevils galore. Mr. Goldstone has written a book that beautifully captures the intertwined fates of these two ingenious pioneers." --Wall Street Journal
“[A] marvelously told story . . . The author provides a terrific backdrop to the ‘Chitty Chitty Bang Bang’ era in which his story takes place. On display are lucky scoundrels and unlucky geniuses, hustlers, hacks, and daredevils galore. . . . [Lawrence] Goldstone has written a book that beautifully captures the intertwined fates of these two ingenious pioneers.”—The Wall Street Journal
“A wonderful, story-filled saga of the early days of the auto age . . . While aspects of [Lawrence] Goldstone’s book will be familiar to auto buffs, the story is so compelling and well-crafted that most readers will be swept up in his vivid re-creation of a bygone era. The book abounds with detailed accounts of races, auto shows, and heroic cross-country journeys and explains in plain English the advances in automotive engineering that transformed early vehicles from playthings of the wealthy to functional, low-cost cars for the masses. ‘Horse Is Doomed,’ read one headline in 1895. This highly readable popular history tells why.”—Kirkus Reviews (starred reviews)
“A splendid dissection of the Selden/Ford patent face-off and its place in automotive historiography, this work will be enjoyed by business, legal, transportation, social, and intellectual historians; general readers; and all libraries.”—Library Journal (starred review)
“This book contains the great names in automotive history—the Dodge brothers, Barney Oldfield, all the French (they seemed, until Ford, to lead the Americans in development of the vehicle)—and it is fascinating. . . . An engaging new take on the history of technological innovation.”—Booklist
“Drive! is business history as you have never read it before. Lawrence Goldstone tells the tale of the important but now forgotten legal fight over the patent for the automobile. With more plot twists than a murder mystery and a cast of well-known industrial titans, Drive! takes the reader down the road from the dawning age of the automobile, when Henry Ford’s dream almost turned into a nightmare.”—James McGrath Morris, author of Pulitzer: A Life in Politics, Print, and Power
“Utterly compelling and filled with fascinating stories and larger-than-life characters, Drive! is a joyride. I’ll never get behind the wheel of my car again without thinking about Drive!”—Howard Blum, author of Dark Invasion and American Lightning
“In suitably fast-paced prose, Goldstone tells the enthralling story of the fraught early days of the ‘Horseless Age.’ The cast in the high-stakes battle includes brilliant engineers, Gilded Age tycoons, and reckless daredevils both on the track and in the boardroom—a heady mix of motors, money, and testosterone. Silicon Valley’s billionaires have nothing on these guys for either ingenuity or ruthlessness.”—Ross King, author of Brunelleschi’s Dome
“Goldstone pulls back the curtain on a totally new tale, long hidden from view, about the unsung heroes behind the most consequential invention of the twentieth century: the automobile. In doing so, he creates a refreshingly original account, a bold, powerfully argued retelling of the history of the automobile. A lucid, intelligent page-turner, Drive! will enthrall and enlighten you.”—Elizabeth MacDonald, senior stocks editor, FOX Business
“Drive! is an exquisite treasure. Titanic court battles; personal feuds among robber barons; hair-raising, death-defying early automobile races; and a slice of history, beautifully researched and written, that shaped the country in the early twentieth century—there is something in this book for all lovers of epic, transformative struggles.”—Dale Oesterle, Reese Chair, Moritz College of Law, Ohio State University
“Drive! cruises back rooms, boardrooms, and courtrooms as pioneer racers compete for their place in motoring history. Hang on!”—Rick Hughey, International Motor Racing Research Center at Watkins Glen
About the Author
Lawrence Goldstone is the author or co-author of more than a dozen books of fiction and nonfiction, most recently Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies. One of his novels won a New American Writing Award; another was a New York Times notable mystery. His work has been profiled in The New York Times, the Toronto Star, Salon, and Slate, among others. He lives on Long Island with his wife, Nancy.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
Power in a Tube
The latter half of the seventeenth century was a remarkable time, when science was called “natural philosophy” and one so engaged roamed freely over the intellectual landscape. Men such as Newton, Leibniz, Robert Hooke, Descartes, and Robert Boyle were all renowned for discoveries or innovations in a variety of disciplines. Christiaan Huygens was another of that century’s masters. An advisor to France’s Louis XIV for fifteen years, Huygens is best known for his work in astronomy, optics, and timekeeping—he discovered Saturn’s moon Titan, and invented what came to be called the grandfather clock. But like most of his contemporaries, he was drawn to the more conceptual problems of the day, working in the mind as much as in practical spheres, theorizing on such diverse topics as the force of gravity and probability in games of chance.
One possibility that fascinated him was the use of controlled explosions as a power source. Since the only substance available to generate such a reaction was gunpowder, that became his default fuel, and cannons, some of which were huge and could propel a projectile weighing more than a quarter ton, provided the shape of the housing. And, since the objective was to generate energy and not to kill one’s neighbor, the canister would need to be closed at both ends. Finally, for maximum efficiency, whatever was employed inside the canister to be driven by the explosion would need to conform to its shape, a tool we now call a piston.
Huygens built such a device in 1673, but he made an odd discovery. After ignition, rather than being driven outward by the force of the explosion, his primitive piston was drawn back. Oxygen had yet to be identified as an element, so Huygens was unaware that the explosion had burned off the gas, creating a partial vacuum and therefore an atmospheric imbalance that the piston was sucked in to equalize. Motors that ran on this principle would be known as “atmospheric engines.” Only later would experimenters discover that in order to fully harness the force of the explosion, it would be necessary to compress the fuel in the cylinder before ignition.
While Huygens had produced a theoretical prototype, his construction had obvious flaws, the most significant of which was that there was no means to keep the contraption running, since the cylinder had to be reloaded after each discharge. Gunpowder, a solid, was not at all suited to any device that was meant to run continuously. So primitive was Huygens’s apparatus that no one thought to improve in-cylinder explosive devices for almost two centuries. The encased piston, however, was almost immediately utilized to provide power generated from other sources. In 1690, Denis Papin, a French mathematician who had once been Huygens’s assistant, created a partial vacuum in a cylinder by condensing steam, a spur that eventually inspired one of history’s most significant technological advances.
As iron came increasingly to replace wood, the great engineering challenge of the period was the development of an effective means to pump water out of mines and thus allow miners to access ore much deeper underground. In 1712, the year Papin died, Thomas Newcomen, an English iron merchant and lay preacher, built on both Papin’s work and the experiments of another Englishman, Thomas Savery, and fabricated the first practical steam engine. He placed a boiler beneath a cylinder, forcing steam into the chamber, and then used water from a tank above to cool the cylinder and condense the steam. The resulting partial vacuum allowed atmospheric pressure to draw the piston downward. A valve between the boiler and the cylinder would open to allow the steam to enter, and then close when the cylinder was full; another valve from the water tank would open when the cylinder was full, and then close after the piston had been sucked downward. A rocking beam—a sort of seesaw—attached at a pivot point above the cylinder and had a chain fastened on one side that ran a pump, which would suck water from a mine as the piston descended on the opposite side.
Newcomen’s engine could run continuously and reliably and was thus a boon to mine owners. But it was also highly inefficient. The cylinder had to be hot when the steam entered, then cold to create the vacuum, then hot again to continue the cycle. Such rapid and extreme changes of temperature engendered substantial heat energy loss and also put a strain on the iron cylinder wall. For all its shortcomings, however, Newcomen’s engine remained the state of the art for three-quarters of a century, until James Watt developed a vastly improved design, one that has remained more or less unchanged ever since.
Watt’s engine was direct drive, that is, the piston was driven by the steam entering the cylinder and not sucked into a partial vacuum, as with atmospheric engines. He avoided energy loss by allowing his cylinder to remain hot. Waste steam was driven into a separate vessel by the downstroke of the piston, where it was condensed and then returned to the water tank to begin the water-steam-water cycle once more. A far more sophisticated system of valves controlled the movement of water and steam among the various components. Watt’s ingenuity did not end with the engine’s internals; he perfected methods for converting the piston’s reciprocal (up-and-down) motion to rotary motion using gears, and also a linkage system to gain power from piston strokes in both directions, not just one, as with the chain.
Watt’s engine and transfer system were far more powerful and efficient than Newcomen’s, using only half as much coal to produce twice the output. Since no ignition was necessary—steam was created externally in a boiler and then piped into the cylinder—steam engines avoided the problem that had doomed Huygens’s explosive prototype. With the supply of the two fuels for steam engines, water and coal, essentially inexhaustible, there seemed little incentive to experiment with gunpowder or any other combustible alternative.
With his partner and fellow Lunar Society member Matthew Boulton, Watt marketed his device in 1776, thus beginning an industrial revolution on one side of the Atlantic at the dawn of a political revolution on the other. The steam engine was soon employed in virtually every commercial process that demanded a consistent and reliable power source. Perhaps no other mechanical device in history caused such a rapid and profound change in the human experience. In many ways, the modern urban industrialized world could be thought to have sprung from the mind of James Watt.
Although Watt’s engine, like Newcomen’s, had been designed for stationary use, it was inevitable that the notion of applying steam power to locomotion would soon follow. Within decades, both steam locomotives and steamships would transport millions of tons of goods and millions of travelers greater distances and in less time than had previously been thought possible.
Applying steam power to personalized conveyances was another obvious extension of the technology, but it would require any such device to be engineered a good deal smaller and substantially lighter than had by then been achieved. The first man to successfully build a steam-powered carriage was a French engineer, Nicolas Cugnot, who in 1769, predating Watt, fashioned a heavy three-wheeled cart with a large boiler hanging over the front, driving the single front wheel, leaving the entire platform free to haul munitions or artillery. Cugnot’s cart was quite cleverly constructed, with two cylinders operating alternately, utilizing a ratchet that created rotary power and also allowed the vehicle to be driven in reverse. In a demonstration in Paris, Cugnot’s fardier à vapeur ran for fifteen minutes and attained the heady speed of 2 miles per hour.
But in a subsequent demonstration, due to “the violence of its motions,” as Automobile magazine later described it, Cugnot’s machine seemed to have literally “broken down a brick wall which stood in its way.” Soon afterward, his sponsor, French foreign minister Étienne-François Choiseul-Ambroise, fell out of favor at court. With the coming of the revolution, Cugnot’s invention was abandoned entirely. And so the first practical, mechanically driven conveyance ever to grace a public road was cast aside, never to be resurrected, not even when ex-artilleryman Napoléon Bonaparte was hauling cannon across Europe.
In the first decades of the nineteenth century, a series of Englishmen, first Richard Trevithick and then Sir Goldsworthy Gurney, built steam carriages that carried passengers. Gurney’s traveled the 9 miles between Gloucester and Cheltenham three times a day at 12 miles per hour. In 1831, Walter Hancock began a shuttle between London and Stratford in an omnibus that could carry fourteen passengers.
Revolutionary though this transport might have been, the British public did not clamor for steam conveyance. The boilers threw off copious amounts of smoke and soot, which was not endearing either to those who had paid premium prices to ride in the thing or to anyone passing nearby. In addition, the boilers often exploded, the crankshafts regularly broke, and the vehicles had a disquieting habit of colliding with pedestrians or livestock, or crashing at what was then considered high speed. It is not difficult, therefore, to see why most of the populace preferred to travel cheaply and reliably in a carriage pulled by the more familiar and always agreeable horse. So irritating were steam tractors that, in 1865, Parliament passed the Red Flag Act, limiting the top speed of steam vehicles to 4 miles per hour and requiring that a man waving a red flag, presumably on foot, precede any such conveyance on a public highway.
Although steam tractors—heavy, bulky, and slow-moving—continued to find application, particularly as farm vehicles, little progress was made in advancing the basic technology. At the close of the eighteenth century, however, coal, which powered the steam engine, yielded a promising alternative fuel source. In 1796, William Murdoch, the same Boulton & Watt engineer who had invented the planetary gear system to convert up-and-down motion to rotary power, lit his house with a new fuel, coal gas, a mixture of hydrogen, methane, and carbon monoxide obtained by heating coal in the absence of air. The resulting product could then combust if mixed with oxygen. Coal gas, foul-smelling and sooty as it might have been—and explosive if not properly vented—quickly enjoyed widespread use to heat homes and businesses, and for street lighting. By the second half of the nineteenth century, most major cities in Europe and the United States had run gas lines, which were widely accessed by both municipal and commercial customers.
Of course, if coal gas could burn, it might also be used to drive a piston. It took sixty years, but in 1860, a Belgian, Jean Joseph Étienne Lenoir, adapted the Newcomen engine to coal gas and created a horizontal, double-acting piston with a shaft attached to a flywheel. To ignite the gas-air mixture, Lenoir employed a constantly burning flame outside the cylinder that was sucked inside by the vacuum created when the piston passed by. Lenoir’s motor could run continuously and produce up to 20 horsepower.
Lenoir patented the design in 1861, and it was soon licensed by a number of French manufacturers. Between three hundred and four hundred were eventually sold for use in light industry. But practical application only emphasized the Lenoir’s flaws. With ignition occurring before the piston reached the end of its stroke, the engine dissipated a good deal of the piston’s potential power. Also, as an atmospheric apparatus with no compression of the fuel in the cylinder, it burned excessive amounts of both gas and the oil that is needed in any engine in which every other piston stroke transmits power. One hundred cubic feet of gas were required to produce a single horsepower. The Lenoir was thus suited only for smaller tasks, where the more complex, economically scaled steam engine was too costly. It would also work only as a stationary device, with gas piped from an outside source. When Lenoir mounted his motor on a three-wheeled carriage-like vehicle, its range was minuscule because the gas in the tank he carried was depleted within moments.
But once the technology had been introduced, major improvements were soon made. The same year Lenoir received his patents, two Germans, Nicolaus Otto and Eugen Langen, theorized that compressing the fuel would add power and efficiency, and that the mixture should be ignited as the piston became tightest against the top of the cylinder, when compression was greatest. In 1864, they founded the Deutz Company to conduct their research. There they would eventually employ two young engineers named Wilhelm Maybach and Gottlieb Daimler.
But Otto did not succeed in building a working compression engine—the explosions in the cylinder were too powerful. Rather than continue to experiment with compression, he and Langen settled for building an improved atmospheric engine. They exhibited their design at the Paris World’s Fair of 1867, the Exposition Universelle d’Art et d’Industrie, and orders came rolling in. Although the Otto, as it came to be called, was almost unbearably loud, described as “clanging like a rapid-fire pile driver,” the market for stationary power plants that could be installed on the factory floor had grown exponentially; Otto and Langen would eventually sell about five thousand of these new machines, the world’s first mass-produced mechanical engine.
The motor utilized a single inverted piston and, like the Lenoir, could run continuously off a city gas line. But Otto’s engine needed only 45 cubic feet of fuel to achieve 1 horsepower, a vast improvement. Otto was also the first to convert the up-and-down reciprocal stroke to rotary motion by using a rack-and-pinion arrangement—a linear gear meshing with a circular one—and a one-way clutch, which disengaged the gears during the piston’s return stroke.
Although the Otto was still technically an atmospheric two-stroke engine, it exhibited some crude characteristics of the more modern compression engine that Otto had first sought to build. Revenues from its sales funded a return to the research that Otto was convinced would yield a greatly improved product.
In 1876, he built one: the first modern internal combustion engine. Both atmospheric power and the two-stroke design were scrapped. Instead, he used four strokes to complete a full cycle. During the first stroke, downward, a mixture of gas and air was sucked into the cylinder; an upstroke, generated by the flywheel, compressed it; a flame was introduced into the cylinder to detonate the fuel, and a downstroke, the power stroke, occurred; the piston was then sent back upward, again by the spinning flywheel, which forced the burnt gases out an exhaust valve. This four-stroke operation, fuel efficient with great endurance, has remained the state of the art ever since. And although Otto’s invention utilized only one cylinder, it would not be long before fabricators built a multiple-cylinder engine, with the timing of the power strokes offset, thereby providing a continuous flow of enormous power while eliminating reliance on the flywheel. As an additional selling point, although it was still sufficiently loud to make conversation difficult in its proximity, the new creation was such an improvement over its predecessor that it was dubbed, without irony, “the silent Otto.”
Most helpful customer reviews
0 of 0 people found the following review helpful.
A well told story, educating this reader
By Donald J. Mcmahan
This is a good telling of the early days of the auto industry. Goldstone covers a lot of ground quickly and in an entertaining manner. As you can tell from the other reviews, most are in agreement that it is a good read. This book fills a need for a summary of those beginnings. The tale of the patent is almost a consequence of the bigger story, how the auto industry in the U.S. grew to world dominance, from roots established elsewhere; until the 1980's, anyway. I know a little about the ongoing development of the modern auto, Goldstone helped me to learn more about the development of early auto technology in this well made book.
0 of 0 people found the following review helpful.
An Excellent History For Auto Buffs!
By w.a. pauwels
"Drive" by Lawrence Goldstone is about the early history of the Automotive Industry . . . the technological and manufacturing developments and the legal battles over patents. . . . Having grown-up in Michigan and worked in the Auto Industry, I was surprised at how little I really knew about it. . . . The book isn’t particularly complimentary of Henry Ford, one of my youthful heroes. I wonder if Goldstone, with apparent Jewish roots, may have tilted his history against Henry because of his anti-Semitism. Has anyone else wondered about this?
0 of 0 people found the following review helpful.
absolutely a must read for any petrol head
By Mac Townsend
the early history of the automobile is not well known among the public. This book reveals some of this history. And some of subsequent history as well. Did you know that Nuclear Submarines are made by a successor company to an outfit that built electric and gas horseless carriages in the 1890s? No? Electric Boat is a successor company to Pope Bicycle Co which came to run electric cabs is most eastern cities, collected royalties from most automotive manufacturers at the time, and eventually gave birth to the Society of Automotive Engineers.
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