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Even the Stars Look Lonesome, by Maya Angelou
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I have written of the black American experience, which I know intimately. I am always talking about the human condition in general and about society in particular. What it is like to be human, and American, what makes us weep, what makes us fall and stumble and somehow rise and go on.
The compelling wisdom and deeply felt perceptions of Maya Angelou have been cherished by millions of readers. Now, in a continuation of her bestseller Wouldn't Take Nothing for My Journey Now, she shares many of her most treasured personal experiences, reflecting on the ideas and inspirations that have touched her heart. Even the Stars Look Lonesome is a profound series of essays that explores aspects of life both big and small, with Maya Angelou serving as the unique, spellbinding guide to a powerful spiritual journey.
- Sales Rank: #823794 in Books
- Color: Black
- Brand: Angelou, Maya
- Published on: 1998-09-01
- Released on: 1998-09-01
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.23" h x .40" w x 5.64" l, .43 pounds
- Binding: Paperback
- 148 pages
Amazon.com Review
The audio version of Even the Stars Look Lonesome, a collection of unabridged essays read by Maya Angelou, plays as if you are spending an evening with the author herself. You'll feel as if, by some stroke of luck, Angelou had settled down for a pleasant chat over dinner and a glass of wine, telling stories about her family and sharing her powerfully stated opinions about the African American experience, sex versus sensuality, and the ins and outs of growing old. Her reading is lively and intelligent, her words at once lyrical and powerful, blurring the line between memoir and poetry. Don't be surprised if you find yourself repeatedly hitting rewind, just to savor again Angelou's wonderful word play and mighty matriarch's voice. (Running Time: 90 minutes)
From Booklist
Angelou examines the mixed blessings of success in one of the 20 brief, anecdotal, and spicily provocative essays in this potent sister volume to her earlier collection, Wouldn't Take Nothing for My Journey Now (1993). During the 1950s, she tells us, she supported herself and her son as a nightclub singer. Expecting to be the center of attention at a party in her honor, she was peeved to find herself upstaged by a revered sports figure. Remembering her hubris, Angelou reflects on how difficult it is to accept both the rewards and demands of fame with grace, but now--regal, smart, eloquent, and witty--she has mastered that skill and makes good use of her visibility in many ways, including the sharing of these candid and lovingly crafted homilies. Angelou considers marriage, motherhood, aging, African creativity and its influence, black history, and the value of art and solitude. She also sings songs of praise and thanks for sensuality, beauty, and black women, especially her mother and her famous friend, Oprah Winfrey. Donna Seaman
From Kirkus Reviews
Angelou's (All God's Children Need Traveling Shoes, 1986, etc.) sixth work of autobiographical reflection again treads ballerina-like on the fine line dividing saying too much and not enough on a variety of heartfelt subjects. These compelling pieces span the full range of Angelou's concerns. In ``Poetic Passage,'' she speaks with admiration of the ``desperate traveler who teaches us the most profound lesson and affords us the most exquisite thrills. She touches us with her boldness and vulnerability, for her sole preparation is the fierce determination to leave wherever she is.'' No words could better describe the impact of Angelou's writing at its best. Whether she is exploring the intimacies of marriage or the passages of sensuality throughout a woman's lifetime, raging against racism and violence or celebrating the richness of Africa and its tribal art and culture, she is herself ever the ``eager traveler.'' Angelou's senses never take a vacation from her intellect; together they take her to a wide variety of places: her home in North Carolina, a beach in Mexico, a nightclub in New York. They explore, among other things, the complementary experiences of performing in an opera while traveling in Morocco and of standing alone on a stage and singing the spirituals she first learned as a young girl. In one piece, Angelou recalls poems learned in her youth, chants that brightened the dark skies of the Depression in the rural South. ``Art encourages us,'' she says ``to stand erect and stretch upward toward the higher ground.'' Angelou is always rewarded by what life gives back in her travels, and in sharing with us such perceptions chanced upon in rich solitude, she startles with her frank, fresh ability to relate in precise prose whatever she learns. (Author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
25 of 27 people found the following review helpful.
Maya Angelou's Voice Is One To Be Embraced
By A Customer
When Maya Angelou was a young woman -- "in the crisp days of my youth," she says -- she carried with her a secret conviction that she wouldn't live past the age of 28. Raped by her mother's boyfriend at 8 and a mother herself since she graduated from high school, she supported herself and her son, Guy, through a series of careers and buoyed by an implacable ambition to escape what might have been a half-lived, ground-down life of poverty and despair. "For it is hateful to be young, bright, ambitious and poor," Angelou observes. "The added insult is to be aware of one's poverty." In "Even the Stars Look Lonesome," a collection of reflective autobiographical essays, Angelou gives no further explanation for her "profound belief" that she would die young.
"I was thirty-six before I realized that I had lived years beyond my deadline and needed to revise my thinking about an early death," she recalls. "With that realization life waxed sweeter. Old acquaintances became friendships, and new clever acquaintances showed themselves more interesting. Old loves burdened with memories of disappointments and betrayals packed up and left town, leaving no forwarding address, and new loves came calling."
Angelou, looking at tailights of her 20's, is the nearest thing America has to a sacred institution, a high priestess of culture and love in the tradition of such distaff luminaries (all of them, hitherto, white) as Isadora Duncan and Pearl S. Buck, with a bit of Eleanor Roosevelt and Aimée Semple MacPherson thrown into the mix.
"She was born poor and powerless in a land where/power is money and money is adored," the poet Angelou writes in tribute to another astonishing black woman of our time, Oprah Winfrey. "Born black in a land where might is white/and white is adored./Born female in a land where decisions are masculine/and masculinity controls." Angelou's lifelong effort to escape and expose the "national, racial and historical hallucinations" that have burdened black women in America and replace them with a shining exemplar of power, achievement and generosity of spirit is as miraculous as she says it is, even if one suspects that in "real life" Angelou must be a little hard to take.
"I would have my ears filled with the world's music," she writes, "the grunts of hewers of wood, the cackle of old folks sitting in the last sunlight and the whir of busy bees in the early morning ... All sounds of life and living, death and dying are welcome to my ears." At times Angelou seems more like a blast from Olympus than a woman of flesh and blood.
Reading these essays, I found myself longing somewhat guiltily for evidence of smallness on her part, of pettiness, even -- some sign that even an icon as monumental as she is might occasionally allow herself an irritated moment, a lapse into cynicism, or humor that wasn't so resolutely seasoned and wise.
On the other hand, smallness isn't what Maya Angelou stands for. Ordinary is not what she does. Only a cynic, a smaller mind than Angelou's, could fail to welcome the gifts she offers.
15 of 15 people found the following review helpful.
Life's little lessons and stories.
By A Customer
"Even The Stars Look Lonesome", by Maya Angelou is a collection of short insights into things that are important to her. It is the second book in a sequence following "Wouldn't Take Nothing For My Journey Now." Maya Angelou touches down on various subjects like how a house can hurt those who live there but a home can heal it's occupants. She also reveals her knowledge to the reader on sensuality and how everyone has the right to sexuality. My favorite one is her essay on how her thoughts of growing old have changed since she has become old. In her book she shows the downside of having pride in her fame and she also tells of the unforgetable lessons she has learned of violence and anger. There is also a short profile of Oprah and other stories fo being an African-American. "Even The Stars Look Lonesome" is Maya Angelou's book of things that she believes must be learned throught one's lifetime.
9 of 10 people found the following review helpful.
Awesome
By Maurice Williams
What a Voice! What an inspiration, and great enunciation. The Lady is her usual awesome self in this wise and eloquent sharing of some of her more intimate life experiences. It's impossible to adequately praise Angelou's ability to speak to the heart and soul, whether through her written work or recorded truth. You'll listen to this over and over again, and will be renewed, and renewed. Enjoy!
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