PDF Ebook The Orphan's Tales: In the Night Garden, by Catherynne M. Valente
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The Orphan's Tales: In the Night Garden, by Catherynne M. Valente
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A Book of Wonders for Grown-Up Readers
Every once in a great while a book comes along that reminds us of the magic spell that stories can
cast over us–to dazzle, entertain, and enlighten. Welcome to the Arabian Nights for our time–a lush and fantastical epic guaranteed to spirit you away from the very first page….
Secreted away in a garden, a lonely girl spins stories to warm a curious prince: peculiar feats and unspeakable fates that loop through each other and back again to meet in the tapestry of her voice. Inked on her eyelids, each twisting, tattooed tale is a piece in the puzzle of the girl’s own hidden history. And what tales she tells! Tales of shape-shifting witches and wild horsewomen, heron kings and beast princesses, snake gods, dog monks, and living stars–each story more strange and fantastic than the one that came before. From ill-tempered “mermaid” to fastidious Beast, nothing is ever quite what it seems in these ever-shifting tales–even, and especially, their teller. Adorned with illustrations by the legendary Michael Kaluta, Valente’s enchanting lyrical fantasy offers a breathtaking reinvention of the untold myths and dark fairy tales that shape our dreams. And just when you think you’ve come to the end, you realize the adventure has only begun….
- Sales Rank: #260476 in Books
- Brand: Valente, Catherynne M.
- Published on: 2006-10-31
- Released on: 2006-10-31
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 9.22" h x 1.23" w x 6.26" l,
- Binding: Paperback
- 496 pages
From Publishers Weekly
A lonely girl with a dark tattoo across her eyelids made up of words spelling out countless tales unfolds a fabulous, recursive Arabian Nights-style narrative of stories within stories in this first of a new fantasy series from Valente (The Grass-Cutting Sword). The fantastic tales involve creation myths, shape-changing creatures, true love sought and thwarted, theorems of princely behavior, patricide, sea monsters, kindness and cruelty. As a sainted priestess explains, stories "are like prayers. It does not matter when you begin, or when you end, only that you bend a knee and say the words," and this volume does not so much arrive at a conclusion but stops abruptly, leaving room for endless sequels. Each descriptive phrase and story blossoms into another, creating a lush, hallucinogenic effect.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
*Starred Review* The opening volume of the Orphan's Tales begins in a palace garden, where a girl has been abandoned because of the strange, ink-black stain around her eyes and over her eyelids. Because the sultan and his nobles wish to avoid the problem she presents, she is left to wander the gardens, alone until another child, a boy, comes and speaks to her. She reveals the secret of her ink-stained eyes, that they contain many tales. In return for the boy's company, she tells him stories, beginning with the tale of the prince Leander. Each succeeding story grows from the one before it, characters recounting tales they were told and even weaving them back together. There is an entire mythology in this book, in which the themes of familiar fairy tales are picked apart and rearranged into a new and wonderful whole. The narrative is a nested, many-faceted thing, ever circling back to the girl in the palace garden and the prince she is telling the tales to in a wonderful interpretation of what fairy tales ought to be. The illustrations, by Michael Kaluta, constitute an excellent supplement, reminiscent of illustrations of such fairy-tale books as Andrew Lang's, though Kaluta does no toning down for Victorian sensibilities. Regina Schroeder
Copyright © American Library Association. All rights reserved
Review
"Cathrynne Valente weaves layer upon layer of marvels in her debut novel. In the Night Garden is a treat for all who love puzzle stories and the mystical language of talespinners."—Carol Berg, author of Daughter of Ancients
"Fabulous talespinning in the tradition of story cycles such as The Arabian Nights. Lyrical, wildly imaginative and slyly humorous, Valente's prose possesses an irrepressible spirit."—K. J. Bishop, author of The Etched City
“Astonishing work! Valente’s endless invention and mythic range are breathtaking. It’s as if she’s gone night-wandering, and plucked a hundred distant cultures out of the air to deliver their stories to us.” –Ellen Kushner, author of Thomas the Rhymer
“Refreshingly original in both style and form, In the Night Garden should delight lovers of myth and folklore.”–Juliet Marillier, author of the Sevenwaters trilogy
"While the obvious comparison is to One Thousand and One Nights.... These are fairy tales that bite and bleed. Every moment of lyricism is countered by one of clear-eyed honesty, and sometimes the moments combine.... Valente weaves an intricate, exquisite web that ultimately binds each story to the other."—Washington Post Book World
Most helpful customer reviews
73 of 77 people found the following review helpful.
Give it some time to cast its spell.
By frumiousb
If I had followed my impulse in the first 50 pages of The Orphan's Tales, then I never would have finished the book. I was actually irritated by the book. The prose struck me as bad Tanith Lee and I just knew that the structure of the book was going to irritate me.
However, I did not stop reading. The book had been recommended strongly by someone I really respect, so I decided that I would give it an honest try. After the irritation, I was interested, and after that I was entranced. By the last few hundred pages of the book, I literally could not put it down. I read it late in 2006, but I would be willing to include it as being among my best reading experiences of the year.
Valente's prose may seem labored and precious at first, but if you give it sufficient time it settles into its own rhythm. Her diction fits beautifully with the structure of her work. Some writers who try the same kind of prose miss any sense of lightness or humor. Valente, by contrast, is as often wickedly funny in her stories as she is full of descriptive symbolism. I liked it every much in the end, and I was left with the strong sense of wanting to read more.
The Orphan's Tales: In the Night Garden is dark fantasy, structured as a series of interlocking stories. It should appeal to both younger and more adult readers although the themes can be quite adult. Highly recommended, particularly if you are fan of darker fantasy.
34 of 36 people found the following review helpful.
You want to buy this book.
By Virginia M. Judd
This is Cathrynne Valente's sixth novel, and her first one with a major publisher. It is a gorgeous retelling of fairy tales--not the whitewashed, bland and Disneyfied versions that too many people have grown up believing to be the "real" versions of these tales. No, these are dark and mysterious versions where evil is not readily thwarted and salvation does not immediately equate "happily ever after."
This is not to say that the tales are dour, Hans Christian Andersen morality plays. Far from it. There is much joy and passion in the stories, but there are many surprises as well.
The Orphan of the title is a girl of noble descent who was born under an unfortunate curse - she is marked in a way that incites fear in the extensive household of the Sultan, and no one will claim her for their own. Eventually abandoned to the garden, she does not die but instead thrives, living there as a sort of spectre until a young son of the royal family stumbles upon her and she begins telling him the tales that are her destiny to tell. The story of a prince's quest is brought short by the witch he encounters, who tells her story to him, which necessarily includes the story of her teacher, and so on, tales within tales like the layers of an onion.
You will recognize the skeletons of some fairy tales beneath Valente's rich layering of interpretation. Others are obscure (the woman has done her homework) or obscured to the point of being completely fresh. There is a feminist twist to the tales, but not the kind of heavy-handed moralizing that frequently burden such retellings. Instead, the layered tales take you deeper and deeper into an amazing world that you really regret leaving upon turning the last page. The one consolation is realizing that this is but the first of four books and you will be able to find your way back to the Orphan and her tales again when the next book is published.
The writing itself is a confection of imagery, rich and sumptuous. It's a book to luxuriate in.
I can't think of a better Christmas present for someone who loves fantasy, particularly since it is illustrated with gorgeous drawings as well.
Go now. Buy. You'll thank me.
23 of 24 people found the following review helpful.
Don't Forget the Night part of Night Garden
By Some Guy
Others have written excellent reviews on the content and style of the tales so I shall not attempt to pointlessly reinvent the wheel here. Suffice to say this book is an outstanding example of the boundless creativity of the artistic imagination. I bow to the author's genius.
There's only one point that I wish to point out: this book has a truly staggering amount of blood in it. Murder, rape, treachery, torture, human experiments, genocide, incest, patricide, even deicide... If an atrocity can be imagined, well, it is here.
I have heard it said that when the likes of Andersen and Grimm first compiled their tales of folklore and fairy tales, they had to first bowdlerize them, "scrub them clean," as it were, to make it palatable for the consumer habits of a rising European middle class. For example, in some earlier versions of Snow White, the young woman's chief antagonist is her mother, not stepmother. The Orphan's Tales is the world unscrubbed.
It's not just that magic must be paid for in blood. Here, magic literally is blood. And no, there is no other way to get blood.
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