Senin, 30 Juni 2014

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The Book of Strange New Things: A Novel, by Michel Faber

A monumental, genre-defying novel that David Mitchell calls "Michel Faber’s second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents.

It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC.   His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling.  Bea’s faith, once the guiding light of their lives, begins to falter.  

Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable.  While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival.  Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us.

Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.

  • Sales Rank: #110988 in Books
  • Published on: 2014-10-28
  • Released on: 2014-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.50" w x 6.61" l, .0 pounds
  • Binding: Hardcover
  • 512 pages

Review
A New Yorker Best Book of 2014
An NPR Great Read of 2014
A New York Times 100 Notable Books of 2014
Selected as one of the Independent’s Books of the Year 2014
An io9.com Best Science Fiction and Fantasy Book of 2014
An ABA Indie Next Pick
A Fresno Bee Favorite Book of 2014
A Guardian Writers Pick of 2014, Selected by Jackie Kay
Selected as one of Kansas City Star’s 100 Best Books of 2014
Selected by Financial Times’ David Mitchell as a Favorite Book of 2014
A Book Riot Best Book of 2014
A BookBrowse Top Book of 2014
Goodreads.com Best Book of the Month
A Kirkus Must-reads
A Barnes & Noble Fiction Selection, Top Books for the Holiday Season
A ShelfAwareness Best Books of 2014 Honorable Mention A Minnesota Public Radio Best Books of 2014 Selection Publishers Lunch news editor Sarah Weinman’s best of the year list, honorable mention
A Rick Riordan Favorite Read of 2014
A PopMatters Best Books of 2014


“Defiantly unclassifiable. . . . The Book of Strange New Things squeezes its genre ingredients to yield a meditation on suffering, love and the origins of religious faith. . . . Faber reminds us there is a literature of enchantment, which invites the reader to participate in the not-real in order to wake from a dream of reality to the ineffability, strangeness, and brevity of life on Earth.” —Marcel Theroux, The New York Times Book Review (cover review)
 
“Provocative, unsettling.” —People
 
“Profoundly moving. . . . . A vivid portrait of a distant galaxy, reinforced by a narrative that is deeply, emotionally evocative.” —USA Today
 
“Elegant. . . . A lovely, thought-provoking meditation on love and faith and the never-ending mysteries of the natural world.” —Entertainment Weekly
 
“Eerie and ambitious. . . . Faber is a genuinely gifted storyteller and his novel gains resonance and tidal force in its final third.” —The New York Times
 
“Faber illustrates, movingly, the impossibility of adequate communication in the face of life-changing experience. . . . Rich and memorable.” —The New Yorker
 
“The Book of Strange New Things will blow you away…Powerful… Even beyond its power as a story of cross-cultural encounters, and the questions it makes you ask about the place of humanity in the universe, Book of Strange New Things is also worth reading as a great personal story of a man and his wife, as their relationship faces the ultimate test..Fantastic.”—io9.com
 
“Fascinating…Poignant…Remarkable… Despite its bizarre setting and all the elements of an interplanetary opera, this is a novel of profound spiritual intimacy….  I relished every chance to cloister myself away with “The Book of Strange New Things”…[It] offers exactly what I crave: a state of mingled familiarity and alienness that leaves us with questions we can’t answer — or forget.”—Ron Charles, Washington Post
 
“One of the best books I’ve ever read. . . . It’s a love story, and the last line destroyed me.” —Emily St. John Mandel, The Millions
 
“Faber's great strength, trotted out right from the opening pages — this ability to write believable, lovely, flawed and inept characters. To animate his creations by exposing their great loves and human frailties, and to make us want, somehow, to follow along behind them…Faber tells a beautifully human story of love, loss, faith and the sometimes uncrossable distances between people.”—NPR.org, “All Things Considered”
 
“Harrowing, wrenching. . . . A bold and unexpected work of beauty. . . . Faber’s sincerity keeps The Book of Strange New Things honest, and his talent steers him away from cliché.” —The New Republic
 
“A wonderful adventure story, a quasi-science fiction tale and a probing examination of a marriage. . . . A truly strange and wonderful novel. . . . Please read Michel Faber’s The Book of Strange New Things. You won't regret it.”—Cleveland Plain-Dealer
 
“[A] masterpiece” —Cosmopolitan
 
“I would almost like to say, ‘Read this book,’ and leave it with that. Because its charms, and they are considerable, are so tied with discovering what the heck is going on. That challenges a reviewer, because almost anything I tell you will spoil a moment of discovery…the writing is such a pleasure.”—Dallas Morning News

“A bracing, rewarding read.”—Kansas City Star
 
“[Faber] approaches this interplanetary saga as an expert genre traveler. . . . [His] potent new amalgam of sci-fi and spirituality puts him within rocket range of David Mitchell.” —New York
 
“Intergalactic in scope.” —Reuters
 
“This is a big novel . . . but the reader is pulled through it at some pace by the gothic sense of anxiety that pervades and taints every element. . . . Astonishing and deeply affecting.” —The Guardian
 
“A novel so full of ideas, so charged by plot, so odd and wonderful, and written with astonishing emotional precision. There are some novels that come along every now and again, when writing a review seems superfluous and all one wants to do is to grab someone by the shoulders and say: “Look, just read the damn thing!” This is one of them. Michel Faber always has had an astonishing ability to make the strange believable and the alien real, but in this thoughtful, deeply moving page-turner, he excels himself.” —The Scotsman
 
“A hugely serious story about the testing of religious faith. . . . When [Peter’s] spiritual crisis does indeed hit it is as gripping as any thriller. . . . A work of originality and insight.” —The Times
 
“A moving human drama disguised as a gripping science fiction tale. . . . Magnificently bold and addictive. . . . A book quite unlike any other I've ever read.” —The Sunday Times
 
 “Faber’s new novel grapples with [what it means to be human] in unusually direct terms. . . . The fascination of [his] prose style is its lack of sensationalism. His voice on the page is serene and oddly innocent. . . . One might call The Book of Strange New Things sci-fi, speculative fiction, literary fiction—or maybe just welcome it, thankfully, with a ‘Never before now.’” —The Independent (UK)
 
“Contemporary literary fiction rarely provides a Victorian-length magical mystery tour along the trail of breathtaking narrative…[yet] Michel Faber’s vast new storytelling extravaganza, The Book of Strange New Things, is that kind of novel. It embodies a wondrous and sorrowful experience you don’t just read, but live.”—Toronto Star
 
“Spellbinding, heartbreaking and mind-bending. . . . This is very much a book that rewards re-reading; its subtle echoes and wisps of allusion reverberate across the text. . . . The Book Of Strange New Things is Faber’s strongest, most plangent and most intellectually gleeful novel. It is affecting as much as it is challenging. . . . Bold, brave, brilliant. . . . It’s also, by the way, the most wonderful love story.” —Scottish Review of Books
 
“Brilliant, and disquieting. . . . Faber’s novel is entirely true to itself and wonderfully original. It makes a fine update to Walter M. Miller Jr.’s Canticle for Leibowitz, with some Marilynne Robinson-like homespun theology thrown in for good measure. . . . A profoundly religious exploration of inner turmoil.” —Kirkus (starred review)
 
“A marvelously creative and intricate novel, thought-provoking and arresting.” —Booklist
 
“A monumental, genre-defying novel over ten years in the making, Michel Faber’s The Book of Strange New Things is a masterwork from a writer in full command of his many talents.”—Book Browse, Selected as a Top Book of 2014
 
“The book wears its strong premise and mixture of Biblical and SF tropes extremely well.”—Publishers Weekly
 
“At the heart of The Book of Strange New Things is one question: Whom—or what—do you love, and what are you willing to do for that love (or not willing)? The result is a novel of marvel and wonderment with a narrative engine like a locomotive.” —Yann Martel
 
“In my opinion The Book of Strange New Things is Michel Faber’s second masterpiece, quite different to The Crimson Petal and the White but every bit as luminescent and memorable.  It is a portrait of a living, breathing relationship, frayed by distance.  It is an enquiry into the mountains faith can move and the mountains faith can’t move.  It is maniacally gripping.  It is vibrant with wit and overcast with prescience and social commentary.  Like all superlative science fiction, its real subject is that most mystifying of alien species, humanity. I didn’t so much read The Book of Strange New Things as inhabit it, the way you inhabited that handful of books which, as a kid, first got you hooked on this wonderful drug known as reading.” —David Mitchell
 
“Michel Faber’s The Book of Strange New Things certainly lives up to its title.  Faber, as he showed in Under the Skin, does strangeness brilliantly. I can’t remember being so continually and unfailingly surprised by any book for a long time, and part of the surprise is the tenderness and delicacy with which he shows an emotional relationship developing in one direction while withering in another. I found it completely compelling and believable, and admired it enormously.” —Philip Pullman
 
“Weird and disturbing, like any work of genius, this novel haunted me for the seven nights I spent reading it, and haunts me still. A story of faith that will mesmerize believers and non-believers alike, a story of love in the face of the Apocalypse, a story of humanity set in an alien world—The Book of Strange New Things is desperately beautiful, sad, and unforgettable.” —David Benioff
 
“Intriguing…both painful and compelling. And when you find out the answers to some of the novel's central mysteries . . . Well, I won't give anything away, but the answers pack a punch.”—Rick Riordan

About the Author
MICHEL FABER is the internationally bestselling and critically acclaimed author of The Crimson Petal and the White, Under the Skin—shortlisted for the Whitbread First Novel Award—and several other books. Faber has won many short story awards and his writing has appeared in Granta, The O. Henry Prize Stories, among others.  He lives in Scotland.

Most helpful customer reviews

148 of 158 people found the following review helpful.
An Immersive Experience
By Dunyazad
I really enjoyed Faber's earlier novel The Crimson Petal and the White, so I was excited to see that he'd written another one. The premise was also intriguing: a Christian missionary travels to another planet to work with the native population there, while receiving updates from his wife about the increasingly apocalyptic conditions back home on earth. The book interweaves the story of Peter's missionary work among the aliens with the story of his increasingly strained relationship with his wife, which suffers from the vast distance between them and the enormous difference in their circumstances.

There are some themes here that I don't normally find very compelling, namely issues of faith and marital difficulties. But I found myself completely absorbed in Faber's creation, tearing through this hefty volume in a matter of days. The characters all felt very real to me, with vivid personalities and abundant flaws. There were times when I would have liked more detail about certain events, particularly Peter's early days among the natives, but ultimately the book as a whole comes together very well. Various mysteries are satisfactorily resolved. The only aspect of the story that I found somewhat unsatisfying was its open-endedness; there are hints about how everything may turn out, but we don't actually see it all through to the end. I can understand why Faber stopped where he did; important decisions have been made and events have been put in motion, so that it might actually have been anticlimactic to pursue each thread down to its final resolution. I just wasn't quite ready to leave this story yet, which might speak as much to its power as to anything else.

A word of warning: despite the central role of faith, this is definitely not what I would classify as "Christian fiction". It opens with a sex scene and contains plenty of profanity, along with descriptions of bodily functions, masturbation, etc. This is the sort of content that could have come across as gratuitous, but instead it adds an element of gritty realism. The religious message is also not entirely unwavering, which I appreciated as a non-Christian reader.

I'd like to say more about the plot and the various issues that arise in the course of Peter's mission, but I think it's best to approach the story without too much prior information and just allow yourself to get caught up in the flow. There are plenty of surprising elements here whose impact might be diminished by reading about them beforehand. Peter sets off on a journey into the unknown, and I'm very glad that I had an opportunity to travel along with him. I just wish I could do a better job of explaining why I liked this book so much; it's a powerful novel whose impact I can't seem to express in words. Reading it was a fully immersive experience.

102 of 115 people found the following review helpful.
"Hope always comes back, pushing up through the ashes, growing from seeds that are invisible and invincible."
By Denise Crawford
3.5 stars out of 5 -- "The world changes too fast. You take your eyes off something that's always been there, and the next minute it's just a memory."

This novel was definitely NOT anything like Faber's book, The Crimson Petal and the White (my favorite of all his books) set in Victorian London. Instead, the reader is transported to a brave new world far away from Earth where a mysterious mega corporation known as USIC has set up a colony of scientists to make the planet liveable. The new world is named Oasis in a contest and Peter Leigh is sent there as a missionary to cater to the needs of the native inhabitants -- to bring them the word of Jesus and his Book of Strange New Things -- The King James Bible. Peter is no ordinary pastor -- once a drug addict and alcoholic, the reformed preacher is eager to begin his work spreading the good news to the Oasans (as he calls them). Surprisingly, many of these natives are already converted and hungry for the Word. Unfortunately, Peter's wife, Bea, has had to stay behind on Earth putting a severe strain on their marriage as billions of miles separate them and they can only communicate by messages sent through a device called the Shoot.

While Bea sends messages of calamity in England and disasters around the world, Peter finds himself in his element tending to his new flock. Overcome with his success, he neglects Bea and their relationship starts to unravel. Caring less about the world he left behind, Peter becomes even more involved with his community of believers and stays with them in their settlement. The creatures are not human in any way, their language is almost unpronounceable, but they attempt to speak English, though without the ability to say some of the consonants *s and *t, for example. Although Peter still interacts peripherally with the others at the USIC base, he finds his heart and soul with the natives and works beside them getting to know them better.

I'm not quite sure what to say about my reaction to this book. I have read other glowing reviews calling this a masterpiece. I'm not feeling it. On one hand, it was interesting, on the other, I can see that if you are not a Christian, you will get very tired of the religious theme that is pervasive throughout the book. Peter often quotes long passages from the Bible and delivers sermons to the Oasans and, when he writes Bea -- admonishes his wife to pray and trust in God though her life is falling apart. The concept of new world building is scientifically interesting, but the main story here is Peter bringing Jesus to the natives who want more of this Book of Strange New Things -- in fact, dedicate themselves to its study even as Peter tries to explain concepts of the passages in words they can understand since they don't have knowledge of sheep, flock, gender, and so on. I found myself totally irritated with Peter's self-absorption and selfishness as God-sent missionary and totally empathetic to poor Bea.

And, if this bothers you, be warned -- there's a sort of cliffhanger at the end. Knowing how Faber ended Crimson Petal should give you an idea. Would make a great book club book for discussion and I'd love to hear more about what others think of its literary merit.

46 of 50 people found the following review helpful.
This book has few strengths and many weaknesses.
By LWM
This book has few strengths and many weaknesses. Strengths are a reasonable writing style and a potentially interesting study of a Christian missionary proselytizing to an alien race while his wife remains on an earth that is in increasing environmental and social decline. But the weaknesses: flat characters, racial and sexual stereotypes, little plot, poor elaboration of the aliens, and extreme wordiness. The last was in my view the worst of these transgressions (might as well sound biblical). The book should have been half its length at most, maybe much less than that. Perhaps a novella at best. Pick almost any succession of long paragraphs and you'll see what I mean. I was reminded of early school days when essays were padded to meet requirements of minimum length.

I bring to this no prejudice about the author or the genre. The book is simply mediocre at best. Like many others who have commented before me, I do not understand the praise that this book has received from so many professional reviewers. Well, there is one explanation: past success leads to easy grading.

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Doctor Who: The Evil of the Daleks (BBC Radio Presents - The Missing Stories), by David Whitaker

Time Lord Doctor Who matches wits with the evil Daleks, an army of robots programmed to kill, in this science fiction adventure, starring Patrick Troughton as the Doctor.

  • Sales Rank: #4134388 in Books
  • Published on: 1993-05-01
  • Released on: 1993-05-01
  • Format: Audiobook
  • Original language: English
  • Dimensions: 7.00" h x 4.00" w x .75" l,
  • Running time: 170 minutes
  • Binding: Audio Cassette

Most helpful customer reviews

6 of 6 people found the following review helpful.
Don't fight in here.....Don't fight in here.
By Viewer
Every time I listen to this it breaks my heart that I can't see the actual film of it. It's hard to believe that they actually destroyed this and still have "Tomb of the Cybermen", and the Dominators. When I first heard this I hated Patrick Troughton's Doctor he was so cold. I always heard how lovable and funny his incarnation of the doctor was, I couldn't believe how he helped the Daleks trick and use Jamie for their experiments. He hurt Jamie several times in this story. I later changed my feelings towards this doctor when I finally heard the rest of the story. The desperation in the Doctors voice after Jamie tells the him not to touch him and that when all of this over they're finished. Jamie accusing the Doctor of only caring for himself, and the Doctor telling Jamie does he really believe it was easy for him to put him through all this? The Doctor getting the Daleks to destroy each other with the human factor they used Jamie's emotions to get and the very first appearance of the Dalek emperor. This was good. Tom Baker is still my favorite but I'm in love with Troughton's doctor.

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Minggu, 29 Juni 2014

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Public Secrets, by Nora Roberts

New York Times bestselling author Nora Roberts deftly blends romance and suspense in this compelling novel of a woman whose career, marriage, and very life are threatened by the truth about her own past.
 
Emma McAvoy may have grown up in the limelight, but some secrets are hidden in a darkness no light can reach. Now on the verge of a successful career, and having fallen in love with the man of her dreams, Emma is looking to the future. Yet it’s the past that is about to catch up with her.
 
For Emma, her childhood had been almost like a rags-to-riches fairy tale—until the tragic night that changed her family forever. But what Emma thinks she knows about that terrible night and the man she’s about to marry is only half the truth. The other half is locked away in the last place she’d ever think to look: her own memories. It’s a mystery a handsome and relentlessly driven homicide detective needs to solve in a case that’s haunted him for years—and a secret someone will kill to keep.

  • Sales Rank: #171579 in Books
  • Brand: Roberts, Nora
  • Published on: 2009-07-28
  • Released on: 2009-07-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .93" w x 5.20" l,
  • Binding: Paperback
  • 439 pages

From Publishers Weekly
Complex relationships among a believable ensemble of characters give Roberts's ( Sweet Revenge ) new romantic thriller much of its appeal. Emma McAvoy, daughter of a British rock star, is only six years old when her infant half-brother Darren is murdered in a bungled kidnapping attempt. Emma, the only witness, remembers little of that night, and while investigators determine that someone close to the family was involved, the case is never solved. Nagged by fears for her safety, Emma's father has her trailed by a bodyguard whenever she is not closed away in a private school. But as she grows up, neither guards nor a loving father can protect her from the nightmares and feelings of guilt that torment her. Nor can they shield her from Darren's murderers. Although it concludes with a satisfyingly gripping finale, the mystery is more a recurring element than a driving force, as the story explores the members of McAvoy's rock group, Emma's devotion to her father (who bought custody of Emma from her abusive, alcoholic mother), her destructive marriage and the father-son detective team whose dedication to the McAvoys and this case lasts more than 20 years.
Copyright 1990 Reed Business Information, Inc.

From Library Journal
Set to go hardcover?thanks to the success of last year's Sweet Revenge, which was originally released as a paperback?this 1990 romance features the illegitimate daughter of a music icon who discovers she has talents of her own.
Copyright 1997 Reed Business Information, Inc.

Review

PRAISE FOR NORA ROBERTS
 
“[Nora] Roberts continues to find new and clever ways to flawlessly fuse thrilling suspense and sexy romance into captivating stories.”—Booklist
 
“Roberts is a superstar.”—The New York Times

Most helpful customer reviews

121 of 121 people found the following review helpful.
This book made me a Nora Roberts fan
By Anne Cahill
A friend loaned me "Public Secrets" a couple of years back, and it took me a few months to get around to reading it -- and only then because I'd run out of all my "usual" authors. Suffice it to say, since then I've been running out and getting my hands on as many NR novels as possible, and it all started because of this page-turning mystery.
Emma McAvoy gets whisked out of poverty and into the glamour of rock-music at the age of 3, but those early years never quite fade away from her memory. She loves and idolizes her rock-star father and also quickly loves her step-mother and her new baby brother. When he is tragically kidnapped, Emma's new world changes again, and she must live with the guilt and the uneasy sense that she knows more than she remembers, and she must force herself to remember to save her own life.
This is a wonderful, "un-put-downable" book, which I subsequently passed on to all MY friends because I liked it so much. Now that I have it back I'm looking forward to reading it again!

47 of 49 people found the following review helpful.
A Musician's Daughter's Life
By L. Martin
At the time PUBLIC SECRETS was written, it was a very different style for Nora Roberts. It wasn't her typical romantic story, but instead dealt with more mystery and intrigue. Little did I know that she would eventually expand on her writing abilities in this area and focus the majority of her new material in the mystery genre.

Public Secrets deals with the life of Emma, a woman with a past containing one of the worst nightmares known to man. Emma's father, Brian McAvoy, is a famous musician who swept into her life at an early age. Emma's mother had gotten pregnant in an attempt to "catch" Brian so she could have the luxury and money that went with his fame. Things didn't work out that way because Brian saw her for what she was - a drug addicted manipulator who hated everyone around her. After Emma was born, her mother used her to get money from Brian but squandered it on drugs, clothes, and other addictions in her life. On a visit, Brian couldn't stand the look in his tiny daughter's eyes any longer and took her away from the rancid apartment, hateful mother, and life of hell that she had been enduring. He then showed her what life could be like. Emma felt like she was on top of the world - she had her father, her new mom, a wonderful home, and the best part was she would soon have a new baby brother.

Several months later, her new, safe world came crashing down around her when a kidnapping attempt went awry and the baby was killed. Typical with this type of story plot, mimicking real life, this event tears the family apart and each character retreats into his/her own world for a time being. The catalyst that brings them back together is when years later Emma begins to remember that fateful night and realizes that she saw the man who killed her brother. When word of this gets out, Emma's life is in danger. The killer wants to make sure his identity is never made public.

When I was reading this book, for some reason I kept picturing McAvoy's band as The Beatles. Silly, I know, but for some reason that was the mental image I had conjured. Maybe it was the wild parties that were described in detail, the bits and pieces shown of the music world including recording sessions and tours, or the English countryside. Without being able to pinpoint the exact reason, I just finally went with the mental image and enjoyed the book, while periodically reminding myself that it WASN'T about The Beatles!

The plot is fairly intricate with a few minor twists and turns. Figuring out the villain's identity was not difficult, but the various subplots were very enjoyable and unexpected. True to her style, Nora Roberts is vivid in her detail and descriptions including her characters. One of my favorite parts is when she describes the English farm where Brian McAvoy grew up and where he buried his son in the family graveyard. The detail was such that this countryside was something I craved to see firsthand.

Public Secrets isn't one of Nora Roberts' best books, but it is very good.

28 of 28 people found the following review helpful.
Wow! I couldn't put it down.
By A reader
Nora outdid herself with this story. Public Secrets is more of a family saga than a traditional romantic suspense novel, although there is romance and there is plenty of suspense. It follows the McAvoys, through the eyes of Emma, from the time she is three years old, through childhood, the school years, marriage, and adulthood. All this against the background of the life of rock-and-roll legends. It is fascinating and compelling. I simply couldn't put it down.

See all 412 customer reviews...

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Sabtu, 28 Juni 2014

# Download PDF Men Who Hate Women and the Women Who Love Them : When Loving Hurts and You Don't Know Why, by Susan Forward, Joan Torres

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Men Who Hate Women and the Women Who Love Them : When Loving Hurts and You Don't Know Why, by Susan Forward, Joan Torres

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Men Who Hate Women and the Women Who Love Them : When Loving Hurts and You Don't Know Why, by Susan Forward, Joan Torres

Is this the way love is supposed to feel?

• Does the man you love assume the right to control how you live and behave?
• Have you given up important activities or people to keep him happy?
• Is he extremely jealous and possessive?
• Does he switch from charm to anger without warning?
• Does he belittle your opinions, your feelings, or your accomplishments?
• Does he withdraw love, money, approval, or sex to punish you?
• Does he blame you for everything that goes wrong in the relationship?
• Do you find yourself “walking on eggs” and apologizing all the time?

If the questions here reveal a familiar pattern, you may be in love with a misogynist — a man who loves you, yet causes you tremendous pain because he acts as if he hates you.

In this superb self-help guide, Dr. Susan Forward draws on case histories and the voices of men and women trapped in these negative relationships to help you understand your man’s destructive pattern and the part you play in it.

She shows how to break the pattern, heal the hurt, regain your self-respect, and either rebuild your relationship or find the courage to love a truly loving man.

  • Sales Rank: #97468 in Books
  • Published on: 2002-01-02
  • Released on: 2002-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.20" l, .55 pounds
  • Binding: Paperback
  • 304 pages

From Library Journal
Forward is a therapist, author, and talk-show host whose specialty is abusive relationships. This book grew out of her realization that her own marriage as well as those of many of her clients followed a pattern. Many men need to control their relationships completely and consequently are mentally (if not physically) abusive. They denigrate their partners, resent them if they have any outside interests, and become furious for trivial reasons. Women with low self-esteem are drawn to these men because they can also be charming and devoted. Forward devotes the first half of the book to an analysis of the problem, the second half to breaking the pattern and getting outside help. No bibliography, but competent and interesting, and sure to be popular. Recommended for public libraries. Margaret B. Allen, M.L.S., West Lebanon,
Copyright 1986 Reed Business Information, Inc.

Review
“Very important and much needed ... This how-to book could be a lifesaver.”
— Abigail Van Buren, “Dear Abby”

“A must read for any woman who has ever been in a destructive relationship.”
— Sonya Friedman, Ph.D., author of On a Clear Day You Can See Yourself

“Required reading for women who are in relationships with angry, intimidating, and controlling men.”
— Howard Halpern, Ph.D., author of How to Break Your Addiction to a Person


Bantam Books by Susan Forward:

Men Who Hate Women and the Women Who Love Them:
When Loving Hurts and You Don’t Know Why

Obsessive Love:
When It Hurts Too Much to Let Go

Toxic Parents:
Overcoming Their Hurtful Legacy and Reclaiming Your Life

From the Publisher
Does the man you love assume the right to control how you live and behave?

Have you given up important activities or people to keep him happy?

Is he extremely jealous and possessive?

Does he switch from charm to anger without warning?

Does he belittle your opinions, your feelings, or your accomplishments?

Does he withdraw love, money, approval, or sex to punish you?

Does he blame you for everything that goes wrong in the relationship?

Do you find yourself "walking on eggshells" and apologizing all the time?

If the questions here reveal a familiar pattern, you may be in love with a misogynist -- a man who loves you, yet causes you tremendous pain because he acts as if he hates you.

In this superb self-help guide, Dr. Susan Forward draws on case histories and the voices of men ad women trapped in these relationships to help you understand you man's destructive pattern, the part you play in it, how to break the pattern, heal the hurt, regain your self-respect, and either rebuild your relationship or find the courage to love a truly loving man.

"Very important and much needed...This how-to book could be a lifesaver." -- Abigail Van Buren, "Dear Abby"

"A must read for any woman who has ever been in a destructive relationship." -- Sonya Friedman, Ph.D., author of Smart Cookies Don't Crumble

Most helpful customer reviews

10 of 10 people found the following review helpful.
Jaw dropping. Brings new perspective for sure.
By Free to be Me
My jaw dropped as I read my life on the pages of this book. While I didn't experience the extreme physical violence, the mental and emotional manipulation kept me crippled. The constant personal sacrifices left me wanting and hopeless. I will be recommending this book to every woman I come in contact with who expresses a similar life story with me. Because of what I learned from this book, I will not allow myself to be crippled again. Nobody will have that control over me again. You know, this might be an excellent pre-wedding gift to any woman you know, Just in case she is involved in this kind of relationship. If she is, she will recognize it in the pages of this book.
EASY READ. INFORMATION EXCELLENTLY PRESENTED.

1 of 1 people found the following review helpful.
Bought for a friend because my copy was so worn ...
By Amazon Customer
Bought for a friend because my copy was so worn and highlighted it was almost unreadable. It's a must read for any woman that's ever dealt with a misogynist in their life...and especially if you're with one now!!

1 of 1 people found the following review helpful.
Five Stars
By Amazon Customer
It is an excellent book for helping clients in this type of relatjonship

See all 206 customer reviews...

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Sabtu, 21 Juni 2014

** Get Free Ebook Jane and the Madness of Lord Byron: Being A Jane Austen Mystery, by Stephanie Barron

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Jane and the Madness of Lord Byron: Being A Jane Austen Mystery, by Stephanie Barron

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Jane and the Madness of Lord Byron: Being A Jane Austen Mystery, by Stephanie Barron

The restorative power of the ocean brings Jane Austen and her beloved brother Henry, to Brighton after Henry’s wife is lost to a long illness. But the crowded, glittering resort is far from peaceful, especially when the lifeless body of a beautiful young society miss is discovered in the bedchamber of none other than George Gordon—otherwise known as Lord Byron. As a poet and a seducer of women, Byron has carved out a shocking reputation for himself—but no one would ever accuse him of being capable of murder. Now it falls to Jane to pursue this puzzling investigation and discover just how “mad, bad, and dangerous to know” Byron truly is. And she must do so without falling victim to the charming versifier’s legendary charisma, lest she, too, become a cautionary example for the ages.

  • Sales Rank: #707604 in Books
  • Brand: Brand: Bantam
  • Published on: 2010-09-28
  • Released on: 2010-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.60" l, .58 pounds
  • Binding: Paperback
  • 339 pages
Features
  • Used Book in Good Condition

From Booklist
In her tenth Jane Austen Mystery, Barron introduces her novelist heroine to the poet Lord Byron, who is famously regarded as being “mad, bad, and dangerous to know.” Not surprisingly, then, when a beautiful young woman, who has rejected the poet’s unwanted advances, is murdered, the Romantic rakehell is the chief suspect. Ah, but could he have, in truth, perpetrated the foul deed? Fans of the series will not be a bit surprised to learn that Jane is determined to find out. As always, Barron does an excellent job of capturing Austen’s first-person voice, and she gives lavish attention, as well, to period detail. Perhaps too lavish in this case, since the book is slow paced, and there is often more attention to atmosphere than to mystery. Barron’s many fans will not be particularly bothered by this fact, however, and will be delighted to learn—in an appended Q & A with the author—that an eleventh installment in the series is already underway. --Michael Cart

About the Author
Stephanie Barron is the author of nine bestselling Jane Austen mysteries. She lives near Denver, Colorado.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One



Summons from London 25 April 1813 Sloane Street, London

Mr. Wordsworth or Sir Walter Scott should never struggle, as I do, to describe Spring in Chawton: the delight of slipping on one's bonnet, in the fresh, new hour before breakfast, and securing about one's shoulders the faded pelisse of jaconet that has served one so nobly for countless Aprils past; of walking alone into the morning, as birdsong and tugging breezes swell about one's head; of the catch in one's throat at the glimpse of a fox, hurrying home to her kits waiting curled and warm in the den beneath the Park's great oaks. Spring--in all its rains and clinging mud, its sharp green scents full-blown on the nose, and a newborn foal in the pasture below the Great House!

And in this glorious season, too, a splendid change has come upon the little Hampshire village I call my own--for my elder brother, the rich and distinguished Mr. Edward Austen Knight, as he and all his numerous progeny must now stile themselves, having acceded to his benefactor's surname as well as his estates in Kent and Hampshire--has descended in state upon Chawton Great House, with his full retinue of trusted servants, under-gardeners, grooms, coachmen, and what I am pleased to call Edward's Harem: a hopeful clutch of motherless daughters, most too young to marry and still at home.

Edward intends to spend the better part of the summer in the antiquated pile that once was let to our dear neighbours, the Middletons, Mr. John Middleton having determined to give up the place when his treaty was run. While the Austen Knights idle away June and July in Hampshire, their principal seat--Godmersham Park, in Kent--will submit to refurbishment, the interiors having grown sadly shabby without Edward's late wife's care. It is quite a treat to have one's relations--and all the elegancies of table, coach, and society--but a stone's throw from one's door; and I spun many happy webs for myself that bright April morning, as I walked through the meadows, and listened to the song of a blackbird hidden somewhere in the hedgerow. Edward's eldest daughter, Fanny, is full twenty years old--and although a trifle subdued for my taste, and possessed of starched notions quite appalling in one so young, she must be adjudged a welcome addition to the Cottage circle, whenever she may venture through the village in search of trifles and laughter. It was possible, I thought, that Martha Lloyd and I between us might be of use to poor dear Fanny, in enlarging her spirit and mind--or at the very least, her capacity for wit. There is nothing so quelling in a young woman, I find, as a want of humour; but much must be forgiven the girl--she was thrust too young into the rôle of Mother, when Elizabeth died. Fanny cannot have been more than fifteen, then; and at twenty, must feel already as though she has lived two lifetimes, in managing her father's household. She is certain to find Chawton unutterably dull, however; the Assemblies in Alton are not such as she has been used to, in the elegant Kentish circle she frequents. Was there, I wondered, any young man in the neighbourhood capable of engaging her interest?

Considering and discarding the various scions of local families as I walked amidst the dew-laden grass, I was full of pleasurable schemes that dreadful morning. Once Fanny was dismissed as too dear a prize for Alton's youth, my mind revolved the various attractions of an altogether different cut of gentleman--one Henry Crawford: for I have reached a most delicious point in the writing of my third novel, which is to be called Mansfield Park, when I must decide whether another Fanny (a sober and rather humourless young woman entirely of my own invention, though not quite my niece) is to make the roguish creature the Happiest of Men, or cast him into the Depths of Misery at a single word.

I had turned towards home after a brisk half-hour of exercise and rambling thought; when all at once it was as though a cloud moved swiftly across the sun, and my pleasure in the day was blotted out. The very air felt chill. I stopped short a good thirty paces from the Cottage door, a feeling of deepest dread in my heart--and for why? Only that a handsome chestnut hack was tethered to the post in the lane, one I recognised as my nephew Edward's mount. Why should a morning call, even one paid so unfashionably before breakfast, have the power to stop my heart?

I ran the final distance to the door.

My brother's eldest son and heir was standing before the fire, dressed not for hacking about the countryside in buckskins and boots, but for Town; his cravat meticulously tied, shirt points terrifyingly starched; a striped waistcoat trimly buttoned over primrose-coloured pantaloons. An Oxford lad of nearly nineteen, he had stiled himself a Corinthian of the First Stare; and it was this unwonted grandeur, as well as the expression of scared dignity on his young countenance, that informed me my heart had not erred. Disaster was in the air.

"What is it?" I whispered.

Cassandra came to me then, and enfolded me in her arms.

"An Express from Henry, to the Great House," she said.

"Has she gone?" I faltered. "And none of us aware?"

Edward cleared his throat. "Not quite gone, Aunt. But failing, Uncle Henry says. She is asking for you, I believe. Father says you are to travel up to London as soon as may be--in his chaise--and I am to bear you company."

"Edward!" I stared at him. "I am sure you should much rather be hunting rabbits on such a fine morning."

"So I should, ma'am," he stammered, "but under the circumstances--no exertion too great--should consider it an honour--wish most earnestly that you will accept my escort." He bowed stiffly, his face flushing with embarrassment. "Not the thing, you know--lady travelling entirely alone. Might very well be offered an intolerable insult. Besides, m'father commands it."

Edward, whom I cared for and cajoled so many years since, when his own mother died--to be offering me escort! I understood, then, the punctiliousness of his manner and dress. My nephew was representing his House--and paying off a debt of gratitude. I should be churlish to protest further; and besides, the hour was already advancing.

I uttered not another word, but dashed upstairs to throw what swift provision I could into a carpet bag. My beloved Eliza, Comtesse de Feuillide, wife of Mr. Henry Austen of Sloane Street--was dying. It seemed far too bitter a truth for Spring.

When did she first apprehend her mortal sickness, I wondered for the thousandth time as the chaise jolted and swayed over the Hog's-back an hour later?* Was it so early as my descent on London some two years since, for the proofing of the typeset pages of Sense and Sensibility? She suffered then, as I recall, from a trifling cold, and took to her bed on the strength of it; but surely that was a deliberate indulgence, to avoid the necessity of attending Divine Service of a particular Sunday?

Eliza was never very fond of Divine Service; she had seen too much of Sin, to place her faith in either repentance or redemption; and she felt certain that the clergy were the very last sort of men to lecture their brethren--indeed, she declared the whole pious enterprise an essay in hypocrisy. Eliza preferred to live her life and leave her neighbours to live theirs, without the benefit of unwanted advice or inspection; and on the whole, I confess I admire her philosophy. There is a great deal of disinterested benevolence in it.

If not April of 1811, then, the illness came upon Eliza soon after: a mass in the breast, that grew until it might almost have formed another--with tenderness, increasing pain, and suppuration. She had watched over her mother's dying of the selfsame malady, years since. She recognised the Enemy.

My incorrigible Eliza. My gallant friend. A word for gentlemen of high courage--but courage she brought to this final battle, knowing full well she would never triumph. The summer months of 1812 she spent in travel--relished two weeks in the sea air of Ramsgate in October--wished me joy of Pride and Prejudice's sale to Mr. Egerton in November (which met with decided success at its publication this winter among the Fashionables of the ton!)--and by Christmas was rapidly declining.

And Henry?

I might have said that he has not the mind for Affliction; he is too busy; too active; too sanguine. All the increasing cares of banking--my Naval brother Frank being now a partner in Henry's concern--and the activity necessary to a gentleman in the prime of his life, must inevitably attach Henry to the world. Add to this, that Eliza is fully ten years my brother's senior, and that the gradual progression of the disease has offered an interval for resignation and acceptance--and we may apprehend the steadiness with which Henry meets his impending loss. And yet--his summons to me surely augurs an unquiet mind, a soul in need of comfort. To part with such a companion as Eliza! --Who, though she gave him no child, brought him endless cheer and laughter from the first day he met her, as a boy of fifteen, when she descended à la comtesse on the Steventon parsonage, and dazzled us all within an inch of our lives.

"I believe Uncle Henry intends to give up Sloane Street," Edward observed as we rolled into Bagshot. "He claims he cannot bear to meet with my aunt's memory at every stair and corner."

"Better to remove from London, then," I managed, my throat constricted, "for Eliza shall haunt every bit of it."

I have known the journey from Chawton to run full twelve hours, when leisure permitted; but we were to have no dawdling nuncheon, no walking before the coachman in admiration of April flowers, no pause for fine views as we descended the final stage into the Metropolis. Barely eight hours elapsed from the moment I bade farewell to Cassandra at the Cottage door, until I found myself alighting in Sloane Street.

We met the surgeon, Mr. Haden, on the threshold--Madame Bigeon being on the point of ushering the good man out, as we ushered ourselves within--and paused, despite a scattering of rain, to learn his opinion.

"I fear she is sinking, Miss Austen," he informed me sombrely. "A matter of hours must decide it. I have left a quantity of laudanum--you are to give her twenty drops, in a glass of warm water, as she requires it."

"But Eliza detests laudanum!" I cried. "I have known her dreams to be frightful under its influence."

"Her agony will be the more extreme without it." The surgeon doffed his hat to Edward and me, and stepped past us to the street.

"Mademoiselle Jane!" Mme. Bigeon's elderly voice quavered on the greeting; she gave way that we might enter the hall, her black eyes filled with tears. "At last you are come! I feared--but it is not too late. She sleeps much, yes, but she will wake for you, mon Dieu! Come to her at once!"

With unaccustomed familiarity--such is the strength of feeling in the face of Eternity--the old Frenchwoman grasped my hand and drew me swiftly up the stairs. I could not stay even to loose my bonnet strings; and that I should be aware of such a nothing on the point of seeing Eliza, must be an enduring reproach. I am ashamed to own it.

Mme. Bigeon hesitated before the bedchamber door; it was ajar, so that I could just glimpse the outline of the bedstead, my brother Henry dozing in a straight-backed chair set up against the wall; and the silhouette of Mme. Marie Perigord--the old woman's daughter and Eliza's dresser, her constant reminder of all the glories of France that are gone beyond recall. Manon, as she is called, was seated near the bed, her sharp-featured face thrown into relief by the flame of a single candle; in her hand was a small bowl.

And beyond--

Eliza.

Her eyes were closed, her breathing heavy; a few damp locks of hair escaped from her white cap. There was a peculiar odour on the air--a sweet, sickly smell that emanated from the open wound in her breast, and the great tumor lying malevolently there; no amount of warm compresses or fresh linen could blot out the taint.

I crept softly to the bedside, young Edward hesitating behind me.

Manon rose and drew back her chair. "Monsieur--mademoiselle . . . I cannot persuade her to take any of the broth. And it is Maman's best broth, made from a pullet. Five hours it has been simmering on the stove--"

"Hush," Henry muttered, as he jerked awake. My brother's dazed eyes met mine through the shuttered gloom. "Ah--Jane! You are come at last!"

He rose, and pulled me close; the stale odour of a closed room, and clothes too infrequently exchanged, clung about his person. Henry--who is the nearest example of a Dandy the Austens may claim--had been neglecting himself.

"Praise God you came in time," he whispered.

"Mademoiselle!" Manon tugged impatiently at my sleeve. "Perhaps you will try? Perhaps she will take some broth from you, hein?"

"What does it matter?" Henry burst out, worn beyond bearing.

"But she must keep up her strength!" the maid protested.

Pointless to observe that strength would avail her mistress nothing, now.

Manon's face crumpled into a terrible grimace and she began, painfully, to weep, turning away from the awkward crowd of Austens as though we had caught her at something shameful. Mme. Bigeon swept her daughter out of the room, murmuring softly in her native tongue, half-scolding. I had an idea of the maid's high pitch of nerves, waiting in that darkened chamber through all the hours of a night and day as her mistress's life slowly ebbed, ears pricked for the sound of a particular set of horses halting in the street below. How like Eliza to hold on to the last, as though she knew I was hastening towards her!

But was she even aware of my presence?

"Dearest," Henry whispered, bending over Eliza. "Here is Jane arrived from Chawton."

Her eyelids flickered; the clouded gaze fixed for an instant on my brother's face, unseeing. How great a change was come upon that sprite, that eager, winning countenance! And how helpless I felt, unable to save her, to forestall the dreaded end!

I took up the bowl of broth and the silver spoon still warm from Manon's hand, leaned close to my dying cousin, and whispered, "Come, my darling, and try a little--to please your Jane."

* The Hog's-back is a narrow ridge that runs between Farnham and Guildford; the road traveled by the Austens on their journey to London ran along the summit and offered excellent views of some six counties. --Editor's note.

Most helpful customer reviews

19 of 19 people found the following review helpful.
Jane Austen, Detective is back on the case and in peak form
By Laurel Ann
One thinks of Jane Austen as a retiring spinster who writes secretly, prefers her privacy and enjoys quiet walks in the Hampshire countryside. Instead, she has applied her intuitive skills of astute observation and deductive reasoning to solve crime in Stephanie Barron's Austen inspired mystery series. It is an ingenious paradox that would make even Gilbert and Sullivan green with envy. The perfect pairing of the unlikely with the obvious that happens occasionally in great fiction by authors clever enough to pick up on the connection and run with it.

JANE AUSTEN AND THE MADNESS OF LORD BYRON marks Stephanie Barron's tenth novel in the best-selling JANE AUSTEN MYSTERY series. For fourteen years, and to much acclaim, she has channeled our Jane beyond her quiet family circle into sleuthing adventures with lords, ladies and murderers. Cleverly crafted, this historical detective series incorporates actual events from Jane Austen's life with historical facts from her time all woven together into mysteries that of course, only our brilliant Jane can solve.

It is the spring of 1813. Jane is home at Chawton Cottage "pondering the thorny question of Henry Crawford" in her new novel MANSFIELD PARK and glowing in the recent favorable reception of PRIDE AND PREJUDICE. Bad news calls her to London where her brother Henry's wife Eliza, the Comtesse de Feuillde, is gravely ill. With her passing, Jane and Henry decide to seek the solace and restorative powers of the seaside selecting Brighton, "the most breathtaking and outrageous resort of the present age" for a holiday excursion.

At a coaching Inn along the way they rescue Catherine Twining, a young society Miss found bound and gagged in the coach of George Gordon, the 6th Baron of Byron, aka Lord Byron, the notorious mad, bad and dangerous to know poet. Miffed by their thwart of her abduction, Byron regretfully surrenders his prize to Jane and Henry who return her to her father General Twining in Brighton. He is furious and quick to fault his fifteen year-old daughter. Jane and Henry are appalled at his temper and concerned for her welfare.

Settled into a suite of rooms at the luxurious Castle Inn, Jane and Henry enjoy walks on the Promenade, fine dining on lobster patties and champagne at Donaldson's and a trip to the local circulating library where Jane is curious to see how often the "Fashionables of Brighton" solicit the privilege of reading PRIDE AND PREJUDICE! Even though Jane loathes the dissipated Prince Regent, she and Henry attend a party at his opulent home the Marine Pavilion. In the crush of the soirée, Jane again rescues Miss Twining from another seducer.

Later at an Assembly dance attended by much of Brighton's bon ton, Lord Byron reappears stalked by his spurned amour, "the mad as Bedlam" Lady Caroline Lamb. Even though the room is filled with beautiful ladies he only has eyes for Miss Twining and aggressively pursues her. The next morning, Jane and Henry are shocked to learn that the lifeless body of a young lady found in Byron's bed was their naïve new friend Miss Catherine Twining! The facts against Byron are very incriminating. Curiously, the intemperate poet is nowhere to be found and all of Brighton ready to condemn him.

'Henry grasped my arm and turned me firmly back along the way we had come. "Jane," he said bracingly, "we require a revival of your formidable spirit - one I have not seen in nearly two years. You must take up the role of Divine Fury. You must penetrate this killer's motives, and expose him to the world."' page 119

And so the game is afoot and the investigation begins...

It is great to have Jane Austen, Detective back on the case and in peak form. Fans of the series will be captivated by her skill at unraveling the crime, and the unindoctrinated totally charmed. The mystery was detailed and quite intriguing, swimming in red herrings and gossipy supposition. Pairing the nefarious Lord Byron with our impertinent parson's daughter was just so delightfully "sick and wicked." Their scenes together were the most memorable and I was pleased to see our outspoken Jane give as good as she got, and then some. Readers who enjoy a good parody and want to take this couple one step further should investigate their vampire version in JANE BITES BACK.

Barron continues to prove that she is an Incomparable, the most accomplished writer in the genre today rivaling Georgette Heyer in Regency history and Austen in her own backyard. Happily readers will not have to wait another four years for the next novel in the series. Bantam is publishing JANE AND THE CANTERBURY TALE next year with a firm commitment of more to follow. Huzzah!

Laurel Ann, Austenprose

8 of 8 people found the following review helpful.
Jane lives!
By Dana Stabenow
And so does Byron in this tenth novel in the Jane Austen series by Stephanie Barron. On their way to Brighton, Jane and her brother Henry rescue a fainting beauty from the fell clutches of Lord Byron, who has conceived a passion for the one woman in England able to resist his fatal allure. When the beauty is murdered, Byron falls under suspicion and Jane of course ferrets out the truth.

Barron makes England's Regency era come alive in the period detail, and the characters, especially the sullen, sexy Lord Byron and the fey, feckless Lady Caroline Lamb fairly leap off the page. For Austenites there is much to enjoy in Jane's mental segues into Mansfield Park, the current work under construction:

I cannot like my poor Fanny, tho' her scruples are such as must command respect; I believe I shall spare the darling Henry such a cross, and bestow the lady upon her cousin Edmund -- who has earned her as a penance, for her utter lack of humour.

There are echoes of many of Austen's characters in the characters inhabiting Brighton during Jane's investigation, among them Mr. Forth, the Master of Ceremonies in the Assembly Rooms at Marine Parade, who will bring the character of Anne Elliot's father irresistibly to mind. At the time this novel is set, Pride and Prejudice has been published to much acclaim, and while with one exception the author's identity is still only that of "A Lady," we enjoy her fans' praise as much as she does.

Crime fiction fans will love Jane's businesslike investigation, too. In a time where physical evidence amounted to the body, eyewitness testimony is essential, and the list of questions that must be asked Jane draws up to begin with are pithy and very much to the point, and by listing them she and the reader come to a better understanding of the murder and what kind of a murderer she is looking for. Her interview of a drunken Byron is riveting, Jane really has a tiger by the tail, and at the end of the novel you will be convinced beyond all shadow of a doubt that he was indeed "mad, bad and dangerous to know."

7 of 7 people found the following review helpful.
Poetic License
By RCM
Unlike some writers who have capitalized on Jane Austen and her plotlines, Stephanie Barron's mystery series pays homage to one of the most beloved authors of all times. Fashioning Jane as a sleuth in mysteries works quite well, for fans can easily imagine the author trying to solve these puzzles. Barron creates new stories that fall into line with events in Austen's life by using the author's letters and diaries and a wealth of historical research to make each plot seem plausible. The result is always enjoyable and such is the case with the tenth book in the series, "Jane and the Madness of Lord Byron".

After the death of Jane's beloved sister-in-law Eliza, Jane convinces her widowed brother Henry to travel to Brighton in search of rest and relaxation. Yet rest is hardly to be found, especially when while in transit to the resort town they rescue a young girl from the clutches of Lord Byron, finding her bound and gagged in his carriage with the poet intent on an elopement. From that moment on, Jane is leery of Byron and forms an attachment to the young girl, one Catherine Twining, who seems to have a knack for getting herself into dangerous situations. But when Catherine's body is found murdered in Lord Byron's chamber, Jane isn't convinced that the poet is the murderer, although she may be convinced that he is rather mad. At the behest of her friend Mona, niece to Lord Harold, Jane tries to uncover the truth behind Catherine's murder and just happens upon a slew of characters who could have killed the young innocent, for their are many people who had motives to kill - especially, perhaps, one of Byron's scorned and crazed lovers.

Barron does a commendable job of combining real historical events and personages with a fictional story. While it is not known that Austen and Byron ever met each other, or that Austen ever traveled to Brighton, there is enough circumstantial evidence to believe it is a possibility. Certainly Barron takes great license here with Byron's story (since he was never arrested for murder), but she does paint a vivid picture of the enigmatic poet, beloved and hated by many. The pace is sometimes slowed down by too much exposition and the mystery is fairly easy to solve. However, "Jane and the Madness of Lord Byron" is an enjoyable read. For anyone who wishes that there were more original works by Austen herself, these lost "journals" are wonderful wish fulfillment.

See all 84 customer reviews...

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Perfect for expecting parents who want to prepare themselves for the challenging toddler years (which starts around eight months of age), this essential guide, a national bestseller by respected pediatrician and child development expert Dr. Harvey Karp, not only helps reduce tantrums but makes happy kids even happier by boosting patience, cooperation, and self-confidence.

This streamlined revision of the breakthrough bestseller by renowned child-development expert Dr. Harvey Karp will do even more to help busy parents survive the “terrible twos” and beyond....

In one of the most revolutionary advances in parenting of the past twenty-five years, Dr. Karp revealed that toddlers often act like uncivilized little cavemen, with a primitive way of thinking and communicating that is all their own. In this revised edition of his parenting classic, Dr. Karp has made his innovative approach easier to learn—and put into action—than ever before.

Combining his trademark tools of Toddler-ese and the Fast-Food Rule with a highly effective new green light/yellow light/red light method for molding toddler behavior, Dr. Karp provides fast solutions for today’s busy and stressed parents. As you discover ways to boost your child’s good (green light) behavior, curb his annoying (yellow light) behavior, and immediately stop his unacceptable (red light) behavior you will learn how to soothe his stormy outbursts with amazing success—and better yet, prevent these outbursts before they begin! And the new thirty-item glossary of Dr. Karp’s parenting techniques will save you valuable time when you need to instantly calm an out-of-control child. The result: fewer tantrums, less yelling, and more happy, loving time for you and your child.

  • Sales Rank: #1076 in Books
  • Brand: Random House
  • Published on: 2008-08-26
  • Released on: 2008-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x .87" w x 5.46" l, 1.68 pounds
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From Publishers Weekly
California-based pediatrician Karp offers a unique approach to the tantrums, melt-downs and overriding challenges that often accompany the demanding years from one to four. Viewing toddlers as primitive thinkers akin to prehistoric man, Karp divides his patients into developmental groups: the "Charming Chimp-Child" (12 to 18 months), the "Knee-High Neanderthal" (18 to 24 months), the "Clever Cave-Kid" (24 to 36 months) and the "Versatile Villager" (36 to 48 months). Parents may find the toddler years so frustrating, Karp suggests, because they don't speak their child's language. To deal effectively with the undeveloped brains of toddlers, one must understand "Toddler-ese," he says, a method of talking to youngsters that employs short phrases, repetition, a dramatic tone of voice and the use of body language. Although the author admits parents may feel foolish speaking in this manner, he nevertheless maintains that the approach soothes children by respecting their needs. Additionally, Karp offers suggestions for positive discipline (e.g., loss of privileges and time out) and guides parents through early expected milestones, while acknowledging that a child's individual temperament (e.g., easy, cautious, spirited) will uniquely influence the pace of his or her development. While some readers may find the relentless cave-kid metaphors irksome, Karp's gentle, easygoing tone is soothing and offers new hope and strategies to those who may have given up on making sense of the toddler years.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Karp offers a unique approach to the tantrums, melt-downs and overriding challenges that often accompany the demanding years from one to four.... Soothing and offers new hope and strategies to those who may have given up on making sense of the toddler years."—Publishers Weekly

“You want help? This is r-e-a-l help! The Happiest Toddler on the Block is one of the smartest parenting books of the past decade. Over and over, parents will find themselves proclaiming, "Thanks, Dr. Karp…Now I get it! “—Kyle Pruett, MD, Professor of Child Psychiatry, Yale University School of Medicine and author of Fatherneed: Why Fathercare is as Essential as Mother Care for Your Child

"Dr. Karp's approach is terrific...and fun! His book will help parents, grandparents and everyone who cares for toddlers be more effective."—Martin Stein, MD, Professor of Pediatrics, University of California San Diego, Children's Hospital San Diego

"Dr. Karp helps parents turn the "terrible" twos into "terrific" twos. His work will revolutionize the way our culture understands toddlers!"—Roni Cohen Leiderman, PhD, Associate Dean, Mailman Segal Institute for Early Childhood Studies, Nova Southeastern University

“Dr. Karp has done it again! Parents will find reading The Happiest Toddler on the Block a joyous adventure…with pearls of wisdom waiting for them on every page.”—Morris Green, MD, Director, Behavioral Pediatrics, Indiana University, Riley Hospital for Children, editor, Pediatric Diagnosis

“Dr. Karp's excellent approach gives parents the tools they need. His simple methods make raising rambunctious toddlers a whole lot easier.”—Steven Shelov, MD, Editor in chief of American Academy of Pediatrics’ Caring for Your Baby and Young Child

“Dr. Karp’s new book is an innovative, unique and thoroughly enjoyable guide to toddler behavior!” —Donald Middleton, MD, Professor of Family Medicine, University of Pittsburgh School of Medicine.

"Parents will be delighted by this clever approach to communicating with toddlers. It allows us to see the world from our children's unique point of view."—Janet Serwint, Professor of Pediatrics, Director of the Harriet Lane Children’s Clinic, Johns Hopkins School of Medicine

"It really works! With great humor and a gentle touch, Dr. Karp shows how to raise happy, well-behaved toddlers. His book is invaluable.—Gabrielle Redford, Senior Editor, AARP The Magazine (and mother of 17-month-old twins)


From the Hardcover edition.

From the Inside Flap
Toddlers can drive you bonkers...so adorable and fun one minute...so stubborn and demanding the next! Yet, as unbelievable as it sounds, there is a way to turn the daily stream of "nos" and "don'ts" into "yeses" and hugs...if you know how to speak your toddler's language. In one of the most useful advances in parenting techniques of the past twenty-five years, Dr. Karp reveals that toddlers, with their immature brains and stormy outbursts, should be thought of not as pint-size people but as pintsize...cavemen. Having noticed that the usual techniques often failed to calm crying toddlers, Dr. Karp discovered that the key to effective communication was to speak to them in their own primitive language. When he did, suddenly he was able to soothe their outbursts almost every time! This amazing success led him to the realization that children between the ages of one and four go through four stages of "evolutionary" growth, each linked to the development of the brain, and each echoing a step in prehistoric humankind's journey to civilization: - The "Charming Chimp-Child" (12 to 18 months): Wobbles around on two legs, grabs everything in reach, plays a nonstop game of "monkey see monkey do."- The "Knee-High Neanderthal" (18 to 24 months): Strong-willed, fun-loving, messy, with a vocabulary of about thirty words, the favorites being "no" and "mine."- The "Clever Caveman" (24 to 36 months): Just beginning to learn how to share, make friends, take turns, and use the potty.- The "Versatile Villager" (36 to 48 months): Loves to tell stories, sing songs and dance, while trying hard to behave.To speak to these children, Dr. Karp has developed two extraordinarily effective techniques: 1) The "fastfood" rule -- restating what your child has said to make sure you got it right; 2) The four-step rule -- using gesture, repetition, simplicity, and tone to help your irate Stone-Ager be happy again.Once you've mastered "toddler-ese," you will be ready to apply behavioral techniques specific to each stage of your child's development, such as teaching patience and calm, doing time-outs (and time-ins), praise through "gossiping," and many other strategies. Then all the major challenges of the toddler years -- including separation anxiety, sibling rivalry, toilet training, night fears, sleep problems, picky eating, biting and hitting, medicine taking -- can be handled in a way that will make your toddler feel understood. The result: fewer tantrums, less yelling, and, best of all, more happy, loving time for you and your child.

Most helpful customer reviews

571 of 593 people found the following review helpful.
Many Techniques Really Work...although awkward at first
By A Customer
Although the analogy to prehistoric man is overdone a bit, there are so many sensible, clear strategies to try with 1-4 year olds that really are working for us. Talking toddler-ese has really made a difference in the cooperation we are now getting from our 2 and 3 year olds. Mirroring their feelings and "wants" with short, repeated phrases that reflect the child's words, tone and body lauguage has quickly and almost magically stopped much of my toddlers' defiant, annoying behaviors. Karp emphasizes that what you say to someone who is really upset is less important than HOW YOU SAY IT. And his theory has proven itself to be correct in our home.
The only suggestion in the book that I have a problem with is using a hook and eye latch to lock a child in his room even for a very short time-out. I feel this can be scary for the child and although it may get the child to know that you do mean business, I prefer not to get compliance from my children with fear, guilt or humiliation. Karp does suggest that you explain to the child in "toddler-ese" how the locking mechanism works so that he will know the door will not open when mom uses it.
I also recommend another one of my favorite parenting reference books as a compliment to Karp's hardcover book called "The Pocket Parent". This is a very practical, quick read, little paperback book loaded with many positive discipline and communications tips written exclusively for parents of 2-5 year olds. Peppered with humor and organized alphabetically by behaviors such as: Anger, Bad Words, Biting, Bedtime and Mealtime Refusals, the "Gimmees", Interrrupting, Morning "Crazies", and Whining...Pocket Parent is a real sanity saver. Both books will lift your spirits with specific ideas to try as well as loads of compassionte support from authors that have been there, too... especially when you feel you are just about at your wits' end with the little ones.

273 of 288 people found the following review helpful.
Very good ideas from the man who saved my sanity during the newborn phase
By Megan
Dr. Karp's "Happiest Baby on the Block" book got me through the newborn phase, so this was the first toddler book I went to. It was a very interesting read. His basic premise is that toddlers are little cavepeople: the right side of their brain, which deals with language and logic, is not very developed, while the left side, which is very emotional, calls most of the shots. He talks a lot about how parents have to be an ambassador: keep relations happy, while putting their foot down when it really matters. He divides toddler behavior into three categories: "green light" behaviors, which are positive and should be encouraged; "yellow light" behaviors, which are the annoying but not completely unacceptable things toddlers do (whining, for example); and "red light" behaviors which are unacceptable because they are either dangerous or they disobey a key family rule. He gives a great deal of advice on how to deal with each of these three types.

I thought that this was a very honest book about parenting a toddler, despite the fact that some of the things that he said were rather jarring. Some of his advice is very much in opposite to other books, and what I think most parents think is the "right" way to parent. For example, he really emphasizes making compromises, and in at least one example encourages some white lies. Not exactly the type of advice I expect from a parenting book. But this also made it more realistic than other suggestions I've read about raising a toddler. Toddlers don't have the logic skills of an adult, and realistically you have to pick your battles.

The most interesting part of the book to me, and the main reason I think that this book is worth reading, is about talking at your toddler's level when he or she is upset. Karp points out that parents are usually very comfortable talking in toddler-ese when their child is happy, but when their child is upset they try to talk in a calming voice. This backfires, because they are using complex sentences, long words, and a monotonous voice that can be hard for a toddler to understand. So the toddler gets even MORE frustrated and upset. I thought that his solutions for dealing with this problem were well worth reading.

I haven't read the old edition, so I can't comment on what changes were made.

303 of 326 people found the following review helpful.
Humor and Help for Frazzled Toddler Parents
By L. P. Arias
The basic gist of the book is that in order to get through to our toddlers' still-developing "cave kid" brains, we need to, first, mirror what they are saying so that they know their feelings and communications have been heard and are acknowledged, and, second, use a particular way of talking that relies on short, repetitive phrases. Sounds simple in a way, but the truth is that this is not a very intuitive way to communicate -- particularly when you're dealing with a child who is very upset. The author points out that our typical response to an upset child is to talk quietly, trying to dissuade or distract the child from the situation -- and that's definitely true as far as my usual strategy . . . until I read this book. I first put the book's technique into action actually when I was still just halfway through the book. My 2 1/2 year old daughter woke up in hysterics at about 2 AM. When I went to her room half-dazed and desperate to calm her, I just reflexively resorted to the technique because I'd been reading about it the prior evening. I started mirroring her emotions with words such as, "You're crying! You say, Mommy hold me! You say, Mommy I'm scared!" As per the book's instructions, I also tried to capture at least some of my daughter's distraught emotional state in my tone of voice and with my gestures. I kept repeating the technique as she progressed through a few demands over the course of 5 - 10 minutes. But, the point is that the situation ended in JUST 5 or 10 minutes (not an hour or more as it has sometimes been in the past). I also remember clearly at one point, as I was mirroring my daughter's woes, she looked me in the eye and said, "Yeah!" She knew that she was being heard! For me, that moment showed me the validity of this technique. Toddler's are pretty smart, but they are emotionally immature ("cave kids") and their language skills are not that well developed. So, when a young child is upset and trying to get her point across, and then the parent responds with soft words that try to diminish the upset rather than acknowledge it . . . of course the kid gets even madder and more frustrated. Here she is screaming her little lungs out trying to get her point across and all Mommy does is try to hush her up. When my daughter responded "Yeah!" to my mirroring statements what I really saw in her eyes was relief: Mommy gets it! Mommy understands what I'm saying! Soon after that point, she let me calm her and put her back in her crib. And as I lay nearby until she fell back asleep, all I could think to myself was, "Oh my gosh -- this stuff works!!" I also want to mention that the rest of the book has a lot of great reminders about how to best communicate with our toddlers so that they feel respected and loved, while we get the essential outcomes we need and want to keep our kids safe and our homes sane. Reading these tips has reminded me that we can get a lot more out of our kids (and really out of life in general) with honey than with vinegar. Our toddlers want to have fun and feel empowered and the path of least resistance is often to let them do both, while still ensuring that essential rules are respected in the household. I appreciate the author's candor in saying that with toddlers a "fair" outcome may be the toddler having it her way 90% of the time, with the parent winning 10% of the time (at least, if we're smart, that's how the toddler will perceive things). So, it's not a 50-50 deal, but I'm okay with that because at the end of the day I know that the 10% stuff is what is really essential for me and my family and the 90% is mostly what being a parent should be about -- spending time playing with and enjoying our kids.

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